The Big Easy Casino – Win Big

Which Director had the best run in the 40s?

Best run in terms of anything
William Wyler: The Westerner, The Heiress, The Little Foxes, The Letter, The Best Years of Our Lives, Mrs. Miniver, Memphis Belle, and Thunderbolt.
Orson Welles: Citizen Kane, The Magnificent Ambersons, The Lady from Shanghai, Macbeth, Journey into Fear, The Stranger, Black Magic, and Follow the Boys.
John Huston: The Maltese Falcon, The Treasure of the Sierra Madre, Key Largo, We Were Strangers, In This Our Life, Across the Pacific, and Let There Be Light.
Howard Hawks: Red River, I Was a Male War Bride,A Song Is Born, To Have and Have Not, The Big Sleep, Sergeant York, His Girl Friday, Air Force, and Ball of Fire.
Alfred Hitchcock: Notorious, Rebecca, Shadow of a Doubt, Spellbound, Rope, Suspicion, Under Capricorn, Foreign Correspondent, Saboteur, Mr. & Mrs. Smith, Lifeboat, and The Paradine Case.
Preston Sturges: The Palm Beach Story, Sullivan's Travels, Unfaithfully Yours, The Great Moment, The Miracle of Morgan's Creek,I Married a Witch, Christmas in July, The Lady Eve, and The Great McGinty.
George Cukor: The Philadelphia Story, Gaslight, Adam's Rib, Susan and God, Her Cardboard Lover, Keeper of the Flame, Edward, My Son, A Double Life, I'll Be Seeing You, and Desire Me.
John Ford: The Grapes of Wrath, The Long Voyage Home, Tobacco Road, How Green Was My Valley, 3 Godfathers, December 7th: The Movie, My Darling Clementine, They Were Expendable, We Sail at Midnight, Fort Apache, Torpedo Squadron ,The Battle of Midway, How to Operate Behind Enemy Lines, She Wore a Yellow Ribbon, and The Fugitive.
Jacques Tourneur: Cat People, I Walked With a Zombie, Out of the Past, Canyon Passage, The Leopard Man, Phantom Raiders, Days of Glory, Easy Living, Experiment Perilous, and Berlin Express.
Vittorio De Sica: Shoeshine, Bicycle Thieves, Heart and Soul, The Children Are Watching Us, The Gates of Heaven, A Garibaldian in the Convent, Teresa Venerdì, Maddalena, Zero for Conduct, and Red Roses.
Roberto Rossellini: Rome, Open City, Paisan, Germany, Year Zero, L'Amore, The White Ship, A Pilot Returns, and The Man with a Cross.
Ernst Lubitsch: To Be or Not to Be, The Shop Around the Corner, Heaven Can Wait, Cluny Brown, That Uncertain Feeling, A Royal Scandal, and That Lady in Ermine.
Powell and Pressburger: The Life and Death of Colonel Blimp, The Red Shoes, A Canterbury Tale, I Know Where I'm Going!, A Matter of Life and Death, Black Narcissus, Contraband, 49th Parallel, One of Our Aircraft Is Missing, The Small Back Room,and An Airman's Letter to His Mother.
Michael Curtiz: Casablanca, Mildred Pierce, The Sea Wolf, Yankee Doodle Dandy, This Is the Army, Night and Day, Romance on the High Seas, Santa Fe Trail, Virginia City, The Sea Hawk, Captains of the Clouds, Dive Bomber, Life with Father, Mission to Moscow, Janie, Passage to Marseille, Roughly Speaking, The Unsuspected, My Dream Is Yours, Flamingo Road, and The Lady Takes a Sailor.
John M. Stahl: Leave Her to Heaven, The Foxes of Harrow, The Eve of St. Mark, Our Wife, Immortal Sergeant, Holy Matrimony, The Keys of the Kingdom, The Walls of Jericho, Father Was a Fullback, and Oh, You Beautiful Doll.
Billy Wilder: The Major and the Minor, The Lost Weekend, Double Indemnity, Five Graves to Cairo, Death Mills, The Emperor Waltz, and A Foreign Affair.
Nicholas Ray: They Live by Night, A Roseanna McCoy, Woman's Secret, and Knock on Any Door.
Elia Kazan: A Tree Grows in Brooklyn, Pinky, Boomerang, The Sea of Grass, and Gentleman's Agreement.
Frank Capra: It’s a Wonderful Life, Arsenic and Old Lace, State of the Union, and Meet John Doe.
Carol Reed: The Third Man, Odd Man Out, The Fallen Idol, The Stars Look Down, Girl in the News, A Letter from Home, Kipps, The Young Mr. Pitt, Night Train to Munich, The New Lot, and The Way Ahead. David Lean: In Which We Serve, This Happy Breed, Brief Encounter, Blithe Spirit, Oliver Twist, Great Expectations, and The Passionate Friends.
Mervyn LeRoy: Waterloo Bridge, Random Harvest, Little Women, East Side, West Side, Without Reservations, Any Number Can Play, The House I Live In, Madame Curie, Thirty Seconds Over Tokyo, Blossoms in the Dust, Johnny Eager, Escape, and Homecoming.
Vincente Minnelli: Meet Me in St. Louis, I Dood It, Cabin in the Sky, Yolanda and the Thief, The Clock, Undercurrent, Ziegfeld Follies, The Pirate, Madame Bovary, and Till the Clouds Roll By. Charles Walters: Ziegfeld Follies, Easter Parade, Good News, and The Barkleys of Broadway.
Leo McCarey: The Bells of St. Mary's and Once Upon a Honeymoon.
Jean Renoir: The Woman on the Beach, The Southerner, The Diary of a Chambermaid, Swamp Water, and This Land is Mine.
Anthony Mann: Moonlight in Havana, Sing Your Way Home, My Best Gal, Nobody's Darling, Dr. Broadway, Strangers in the Night, Bamboo Blonde, Raw Deal, T-Men, Desperate, Railroaded!, Border Incident, Reign of Terror, Two O'Clock Courage, and Strange Impersonation.
King Vidor: The Fountainhead, On Our Merry Way, Duel in the Sun, An American Romance, Comrade X, Northwest Passage, H. M. Pulham, Esq., and Beyond the Forest.
Robert Rossen: All The King’s Men, Johnny O'Clock, The Strange Love of Martha Ivers, A Child Is Born, Edge of Darkness, Out of the Fog, Blues in the Night, A Walk in the Sun, The Undercover Man, Desert Fury, and Body and Soul.
Fred Zinnemann: The Search, Kid Glove Killer, Eyes in the Night, The Clock, Act of Violence, The Seventh Cross, Little Mister Jim, and My Brother Talks to Horses.
Robert Wise: Criminal Court, The Curse of the Cat People, Mademoiselle Fifi, The Body Snatcher, Born to Kill, The Set-Up, A Game of Death, Blood on the Moon, and Mystery in Mexico.
Akira Kurosawa: Sanshiro Sugata, Sanshiro Sugata Part II, The Most Beautiful, One Wonderful Sunday, Drunken Angel, The Quiet Duel, Stray Dog, The Men Who Tread on the Tiger's Tail, and No Regrets for Our Youth.
Otto Preminger: Laura, Fallen Angel, Daisy Kenyon, Forever Amber, Whirl Pool, The Fan, Margin for Error, In the Meantime, Darling, and Centennial Summer.
Jules Dassin: Thieves' Highway, A Letter for Evie, Brute Force, Two Smart People, The Naked City, Young Ideas, The Canterville Ghost, Nazi Agent, The Tell-Tale Heart, The Affairs of Martha, and Reunion in France.
Charlie Chaplin: The Great Dictator, and Monsieur Verdoux. George Stevens: The More the Merrier, The Talk of the Town, Penny Serenade, Woman of the Year, Vigil in the Night, On Our Merry Way, The Nazi Plan, and I Remember Mama.
Yasujirô Ozu: Late Spring, Brothers and Sisters of the Toda Family, A Hen in the Wind, There Was a Father, and Record of a Tenement Gentleman.
Fritz Lang: Secret Beyond the Door, The Woman in the Window, Scarlet Street, Cloak and Dagger, Man Hunt, Ministry of Fear, Hangmen Also Die!, Western Union, Moon Tide, and The Return of Frank James.
Raoul Walsh: High Sierra, White Heat, Colorado Territory, Fighter Squadron, Silver River, Pursued, The Man I Love, Cheyenne, Uncertain Glory, Objective, Burma!, Manpower, Desperate Journey, Northern Pursuit, The Strawberry Blonde, They Died with Their Boots On, Gentleman Jim, Dark Command, and They Drive by Night.
Vincent Sherman: Nora Prentiss, Mr. Skeffington, Adventures of Don Juan, The Unfaithful, The Hard Way, Old Acquaintance, The Hasty Heart, In our Time, Pillow to Post, Janie Gets Married, Saturday's Children, The Man Who Talked Too Much, Underground, Flight from Destiny, Across the Pacific, and All Through the Night.
Anatole Litvak: The Snake Pit, City for Conquest, The Battle of Russia, Why We Fight, Sorry, Wrong Number, This Above All, The Long Night, All This, and Heaven Too, and Castle on the Hudson.
Max Ophüls: Caught, The Reckless Moment, The Exile, Letter from an Unknown Woman, Vendetta, and Sarajevo.
Charles Vidor: Gilda, Cover Girl, Over 21, The Loves of Carmen, The Tuttles of Tahiti, The Desperadoes, Together Again, A Song to Remember, The Man from Colorado, New York Town, Ladies in Retirement, My Son, My Son!, and The Lady in Question.
Edgar G. Ulmer: Detour, Isle of Forgotten Sins, Girls in Chains, Tomorrow We Live, Club Havana, The Strange Woman, My Son, the Hero, Jive Junction, Strange Illusion, Bluebeard, Her Sister's Secret, The Pirates of Capri, Ruthless, The Wife of Monte Cristo, and Carnegie Hall.
Victor Fleming: Dr. Jekyll and Mr. Hyde, Joan of Arc, Adventure, A Guy Named Joe, and Tortilla Flat.
Joseph L. Mankiewicz: A Letter to Three Wives, Escape, House of Strangers, The Late George Apley, The Ghost and Mrs. Muir, Dragonwyck, and Somewhere in the Night.
Robert Bresson: Angels of Sin and Les Dames du Bois de Boulogne.
Luis Buñuel: Gran Casino and The Great Madcap.
Fei Mu: Spring in a Small Town, Confucius, The Beauty, A Wedding in the Dream, The Magnificent Country, Songs of Ancient China, and The Little Cowheard.
Kenji Mizoguchi: The 47 Ronin, A Woman of Osaka, Flame of My Love, The Love of the Actress Sumako, Victory Song, Utamaro and His Five Women, Women of the Night, Victory of Women, The Famous Sword Bijomaru, Three Generations of Danjuro, The Life of an Actor, and Miyamoto Musashi.
Douglas Sirk: Lured, Sleep, My Love, Hitler's Madman, Summer Storm, A Scandal in Paris, Shockproof, and Slightly French.
René Clément: The Battle of the Rails, The Damned, Mr. Orchid, and The Walls of Malapaga.
Robert Hamer: Kind Hearts and Coronets, The Spider and the Fly, It Always Rains on Sunday, San Demetrio London, and Pink String and Sealing Wax.
Robert Siodmak: Criss Cross, Cry of The City, Dark Mirror, Phantom Lady, The Killers, The Spiral Staircase, Christmas Holiday, The Strange Affair of Uncle Harry, Time Out of Mind, Son of Dracula, The Suspect, The Night Before the Divorce, Someone to Remember, Cobra Woman, The File on Thelma Jordon, The Great Sinner, West Point Widow, My Heart Belongs to Daddy, and Fly-by-Night.
Humphrey Jennings: Spring Offensive, Welfare of the Workers, London Can Take It!, A Diary for Timothy, This Is England, Words for Battle, Fires Were Started, Listen to Britain, The Silent Village, The True Story of Lili Marlene, The Eighty Days, Myra Hess, A Defeated People, The Cumberland Story, and The Dim Little Island.
William Dieterle: Dr. Ehrlich's Magic Bullet, Kismet, This Love of Ours, Syncopation, The Searching Wind, Rope of Sand, Portrait of Jennie, The Accused, I'll Be Seeing You, A Dispatch from Reuters, The Devil and Daniel Webster, Tennessee Johnson, and Love Letters.
Edmund Goulding: The Razor's Edge, Nightmare Alley, The Shocking Miss Pilgrim, Everybody Does It, Claudia, Of Human Bondage, Flight from Folly, Forever and a Day, Old Acquaintance, The Constant Nymph, The Great Lie, and Til We Meet Again.
Luchino Visconti: Ossessione and La Terra Trema.
Ernest B. Schoedsack: Dr. Cyclops and Mighty Joe Young.
Roy Del Ruth: It Happened on 5th Avenue, Red Light, The Babe Ruth Story, The Chocolate Soldier, Topper Returns, He Married His Wife, Du Barry Was a Lady, and Ziegfeld Follies.
Rene Clair: And Then There Were None, I Married a Witch, Man About Town,It Happened Tomorrow, The Flame of New Orleans, and Forever and a Day.
John Cromwell: Victory, Abe Lincoln in Illinois, So Ends Our Night, Son of Fury: The Story of Benjamin Blake, Anna and the King of Siam, Dead Reckoning, The Enchanted Cottage, Since You Went Away, and Night Song.
Richard Fleischer: Trapped, Make Mine Laughs, The Clay Pigeon, Follow Me Quietly, Banjo, Design for Death, So This Is New York, Bodyguard, and Child of Divorce.
Norman Z. McLeod: Jackass Mail, The Secret Life of Walter Mitty, Panama Hattie, The Paleface, and Little Men.
submitted by Britneyfan456 to movies [link] [comments]

Which Director had the best run in the 40s?

Best run in terms of anything
William Wyler: The Westerner, The Heiress, The Little Foxes, The Letter, The Best Years of Our Lives, Mrs. Miniver, Memphis Belle, and Thunderbolt.
Orson Welles: Citizen Kane, The Magnificent Ambersons, The Lady from Shanghai, Macbeth, Journey into Fear, The Stranger, Black Magic, and Follow the Boys.
John Huston: The Maltese Falcon, The Treasure of the Sierra Madre, Key Largo, We Were Strangers, In This Our Life, Across the Pacific, and Let There Be Light.
Howard Hawks: Red River, I Was a Male War Bride,A Song Is Born, To Have and Have Not, The Big Sleep, Sergeant York, His Girl Friday, Air Force, and Ball of Fire.
Alfred Hitchcock: Notorious, Rebecca, Shadow of a Doubt, Spellbound, Rope, Suspicion, Under Capricorn, Foreign Correspondent, Saboteur, Mr. & Mrs. Smith, Lifeboat, and The Paradine Case.
Preston Sturges: The Palm Beach Story, Sullivan's Travels, Unfaithfully Yours, The Great Moment, The Miracle of Morgan's Creek,I Married a Witch, Christmas in July, The Lady Eve, and The Great McGinty.
George Cukor: The Philadelphia Story, Gaslight, Adam's Rib, Susan and God, Her Cardboard Lover, Keeper of the Flame, Edward, My Son, A Double Life, I'll Be Seeing You, and Desire Me.
John Ford: The Grapes of Wrath, The Long Voyage Home, Tobacco Road, How Green Was My Valley, 3 Godfathers, December 7th: The Movie, My Darling Clementine, They Were Expendable, We Sail at Midnight, Fort Apache, Torpedo Squadron ,The Battle of Midway, How to Operate Behind Enemy Lines, She Wore a Yellow Ribbon, and The Fugitive.
Jacques Tourneur: Cat People, I Walked With a Zombie, Out of the Past, Canyon Passage, The Leopard Man, Phantom Raiders, Days of Glory, Easy Living, Experiment Perilous, and Berlin Express.
Vittorio De Sica: Shoeshine, Bicycle Thieves, Heart and Soul, The Children Are Watching Us, The Gates of Heaven, A Garibaldian in the Convent, Teresa Venerdì, Maddalena, Zero for Conduct, and Red Roses.
Roberto Rossellini: Rome, Open City, Paisan, Germany, Year Zero, L'Amore, The White Ship, A Pilot Returns, and The Man with a Cross.
Ernst Lubitsch: To Be or Not to Be, The Shop Around the Corner, Heaven Can Wait, Cluny Brown, That Uncertain Feeling, A Royal Scandal, and That Lady in Ermine.
Powell and Pressburger: The Life and Death of Colonel Blimp, The Red Shoes, A Canterbury Tale, I Know Where I'm Going!, A Matter of Life and Death, Black Narcissus, Contraband, 49th Parallel, One of Our Aircraft Is Missing,The Small Back Room, and An Airman's Letter to His Mother.
Michael Curtiz: Casablanca, Mildred Pierce, The Sea Wolf, Yankee Doodle Dandy, This Is the Army, Night and Day, Romance on the High Seas, Santa Fe Trail, Virginia City, The Sea Hawk, Captains of the Clouds, Dive Bomber, Life with Father, Mission to Moscow, Janie, Passage to Marseille, Roughly Speaking, The Unsuspected, My Dream Is Yours, Flamingo Road, and The Lady Takes a Sailor.
John M. Stahl: Leave Her to Heaven, The Foxes of Harrow, The Eve of St. Mark, Our Wife, Immortal Sergeant, Holy Matrimony, The Keys of the Kingdom, The Walls of Jericho, Father Was a Fullback, and Oh, You Beautiful Doll.
Billy Wilder: The Major and the Minor, The Lost Weekend, Double Indemnity, Five Graves to Cairo, Death Mills, The Emperor Waltz, and A Foreign Affair.
Nicholas Ray: They Live by Night, A Roseanna McCoy, Woman's Secret, and Knock on Any Door.
Elia Kazan: A Tree Grows in Brooklyn, Pinky, Boomerang, The Sea of Grass, and Gentleman's Agreement.
Frank Capra: It’s a Wonderful Life, Arsenic and Old Lace, State of the Union, and Meet John Doe.
Carol Reed: The Third Man, Odd Man Out, The Fallen Idol, The Stars Look Down, Girl in the News, A Letter from Home, Kipps, The Young Mr. Pitt, Night Train to Munich, The New Lot, and The Way Ahead.
David Lean: In Which We Serve, This Happy Breed, Brief Encounter, Blithe Spirit, Oliver Twist, Great Expectations, and The Passionate Friends.
Mervyn LeRoy: Waterloo Bridge, Random Harvest, Little Women, East Side, West Side, Without Reservations, Any Number Can Play, The House I Live In, Madame Curie, Thirty Seconds Over Tokyo, Blossoms in the Dust, Johnny Eager, Escape, and Homecoming.
Vincente Minnelli: Meet Me in St. Louis, I Dood It, Cabin in the Sky, Yolanda and the Thief, The Clock, Undercurrent, Ziegfeld Follies, The Pirate, Madame Bovary, and Till the Clouds Roll By.
Charles Walters: Ziegfeld Follies, Easter Parade, Good News, and The Barkleys of Broadway.
Leo McCarey: The Bells of St. Mary's and Once Upon a Honeymoon.
Jean Renoir: The Woman on the Beach, The Southerner, The Diary of a Chambermaid, Swamp Water, and This Land is Mine.
Anthony Mann: Moonlight in Havana, Sing Your Way Home, My Best Gal, Nobody's Darling, Dr. Broadway, Strangers in the Night, Bamboo Blonde, Raw Deal, T-Men, Desperate, Railroaded!, Border Incident, Reign of Terror, Two O'Clock Courage, and Strange Impersonation.
King Vidor: The Fountainhead, On Our Merry Way, Duel in the Sun, An American Romance, Comrade X, Northwest Passage, H. M. Pulham, Esq., and Beyond the Forest.
Robert Rossen: All The King’s Men, Johnny O'Clock, The Strange Love of Martha Ivers, A Child Is Born, Edge of Darkness, Out of the Fog, Blues in the Night, A Walk in the Sun, The Undercover Man, Desert Fury, and Body and Soul.
Fred Zinnemann: The Search, Kid Glove Killer, Eyes in the Night, The Clock, Act of Violence, The Seventh Cross, Little Mister Jim, and My Brother Talks to Horses.
Robert Wise: Criminal Court, The Curse of the Cat People, Mademoiselle Fifi, The Body Snatcher, Born to Kill, The Set-Up, A Game of Death, Blood on the Moon, and Mystery in Mexico.
Akira Kurosawa: Sanshiro Sugata, Sanshiro Sugata Part II, The Most Beautiful, One Wonderful Sunday, Drunken Angel, The Quiet Duel, Stray Dog, The Men Who Tread on the Tiger's Tail, and No Regrets for Our Youth.
Otto Preminger: Laura, Fallen Angel, Daisy Kenyon, Forever Amber, Whirl Pool, The Fan, Margin for Error, In the Meantime, Darling, and Centennial Summer.
Jules Dassin: Thieves' Highway, A Letter for Evie, Brute Force, Two Smart People, The Naked City, Young Ideas, The Canterville Ghost, Nazi Agent, The Tell-Tale Heart, The Affairs of Martha, and Reunion in France.
Charlie Chaplin: The Great Dictator, and Monsieur Verdoux. George Stevens: The More the Merrier, The Talk of the Town, Penny Serenade, Woman of the Year, Vigil in the Night, On Our Merry Way, The Nazi Plan, and I Remember Mama.
Yasujirô Ozu: Late Spring, Brothers and Sisters of the Toda Family, A Hen in the Wind, There Was a Father, and Record of a Tenement Gentleman.
Fritz Lang: Secret Beyond the Door, The Woman in the Window, Scarlet Street, Cloak and Dagger, Man Hunt, Ministry of Fear, Hangmen Also Die!, Western Union, Moon Tide, and The Return of Frank James.
Raoul Walsh: High Sierra, White Heat, Colorado Territory, Fighter Squadron, Silver River, Pursued, The Man I Love, Cheyenne, Uncertain Glory, Objective, Burma!, Manpower, Desperate Journey, Northern Pursuit, The Strawberry Blonde, They Died with Their Boots On, Gentleman Jim, Dark Command, and They Drive by Night.
Vincent Sherman: Nora Prentiss, Mr. Skeffington, Adventures of Don Juan, The Unfaithful, The Hard Way, Old Acquaintance, The Hasty Heart, In our Time, Pillow to Post, Janie Gets Married, Saturday's Children, The Man Who Talked Too Much, Underground, Flight from Destiny, Across the Pacific, and All Through the Night.
Anatole Litvak: The Snake Pit, City for Conquest, The Battle of Russia, Why We Fight, Sorry, Wrong Number, This Above All, The Long Night, All This, and Heaven Too, and Castle on the Hudson.
Max Ophüls: Caught, The Reckless Moment, The Exile, Letter from an Unknown Woman, Vendetta, and Sarajevo.
Charles Vidor: Gilda, Cover Girl, Over 21, The Loves of Carmen, The Tuttles of Tahiti, The Desperadoes, Together Again, A Song to Remember, The Man from Colorado, New York Town, Ladies in Retirement, My Son, My Son!, and The Lady in Question.
Edgar G. Ulmer: Detour, Isle of Forgotten Sins, Girls in Chains, Tomorrow We Live, Club Havana, The Strange Woman, My Son, the Hero, Jive Junction, Strange Illusion, Bluebeard, Her Sister's Secret, The Pirates of Capri, Ruthless, The Wife of Monte Cristo, and Carnegie Hall.
Victor Fleming: Dr. Jekyll and Mr. Hyde, Joan of Arc, Adventure, A Guy Named Joe, and Tortilla Flat.
Joseph L. Mankiewicz: A Letter to Three Wives, Escape, House of Strangers, The Late George Apley, The Ghost and Mrs. Muir, Dragonwyck, and Somewhere in the Night.
Robert Bresson: Angels of Sin and Les Dames du Bois de Boulogne.
Luis Buñuel: Gran Casino and The Great Madcap.
Fei Mu: Spring in a Small Town, Confucius, The Beauty, A Wedding in the Dream, The Magnificent Country, Songs of Ancient China, and The Little Cowheard.
Kenji Mizoguchi: The 47 Ronin, A Woman of Osaka, Flame of My Love, The Love of the Actress Sumako, Victory Song, Utamaro and His Five Women, Women of the Night, Victory of Women, The Famous Sword Bijomaru, Three Generations of Danjuro, The Life of an Actor, and Miyamoto Musashi.
Douglas Sirk: Lured, Sleep, My Love, Hitler's Madman, Summer Storm, A Scandal in Paris, Shockproof, and Slightly French.
René Clément: The Battle of the Rails, The Damned, Mr. Orchid, and The Walls of Malapaga.
Robert Hamer: Kind Hearts and Coronets, The Spider and the Fly, It Always Rains on Sunday, San Demetrio London, and Pink String and Sealing Wax.
Robert Siodmak: Criss Cross, Cry of The City, Dark Mirror, Phantom Lady, The Killers, The Spiral Staircase, Christmas Holiday, The Strange Affair of Uncle Harry, Time Out of Mind, Son of Dracula, The Suspect, The Night Before the Divorce, Someone to Remember, Cobra Woman, The File on Thelma Jordon, The Great Sinner, West Point Widow, My Heart Belongs to Daddy, and Fly-by-Night.
Humphrey Jennings: Spring Offensive, Welfare of the Workers, London Can Take It!, A Diary for Timothy, This Is England, Words for Battle, Fires Were Started, Listen to Britain, The Silent Village, The True Story of Lili Marlene, The Eighty Days, Myra Hess, A Defeated People, The Cumberland Story, and The Dim Little Island.
William Dieterle: Dr. Ehrlich's Magic Bullet, Kismet, This Love of Ours, Syncopation, The Searching Wind, Rope of Sand, Portrait of Jennie, The Accused, I'll Be Seeing You, A Dispatch from Reuters, The Devil and Daniel Webster, Tennessee Johnson, and Love Letters.
Edmund Goulding: The Razor's Edge, Nightmare Alley, The Shocking Miss Pilgrim, Everybody Does It, Claudia, Of Human Bondage, Flight from Folly, Forever and a Day, Old Acquaintance, The Constant Nymph, The Great Lie, and Til We Meet Again.
Luchino Visconti: Ossessione and La Terra Trema.
Ernest B. Schoedsack: Dr. Cyclops and Mighty Joe Young.
Roy Del Ruth: It Happened on 5th Avenue, Red Light, The Babe Ruth Story, The Chocolate Soldier, Topper Returns, He Married His Wife, Du Barry Was a Lady, and Ziegfeld Follies.
Rene Clair: And Then There Were None, I Married a Witch, Man About Town,It Happened Tomorrow, The Flame of New Orleans, and Forever and a Day.
John Cromwell: Victory, Abe Lincoln in Illinois, So Ends Our Night, Son of Fury: The Story of Benjamin Blake, Anna and the King of Siam, Dead Reckoning, The Enchanted Cottage, Since You Went Away, and Night Song.
Richard Fleischer: Trapped, Make Mine Laughs, The Clay Pigeon, Follow Me Quietly, Banjo, Design for Death, So This Is New York, Bodyguard, and Child of Divorce.
Norman Z. McLeod: Jackass Mail, The Secret Life of Walter Mitty, Panama Hattie, The Paleface, and Little Men.
submitted by Britneyfan456 to flicks [link] [comments]

Which Director had the best run in the 40s?

Best run in terms of anything
William Wyler: The Westerner, The Heiress, The Little Foxes, The Letter, The Best Years of Our Lives, Mrs. Miniver, Memphis Belle, and Thunderbolt.
Orson Welles: Citizen Kane, The Magnificent Ambersons, The Lady from Shanghai, Macbeth, Journey into Fear, The Stranger, Black Magic, and Follow the Boys.
John Huston: The Maltese Falcon, The Treasure of the Sierra Madre, Key Largo, We Were Strangers, In This Our Life, Across the Pacific, and Let There Be Light.
Howard Hawks: Red River, I Was a Male War Bride,A Song Is Born, To Have and Have Not, The Big Sleep, Sergeant York, His Girl Friday, Air Force, and Ball of Fire.
Alfred Hitchcock: Notorious, Rebecca, Shadow of a Doubt, Spellbound, Rope, Suspicion, Under Capricorn, Foreign Correspondent, Saboteur, Mr. & Mrs. Smith, Lifeboat, and The Paradine Case.
Preston Sturges: The Palm Beach Story, Sullivan's Travels, Unfaithfully Yours, The Great Moment, The Miracle of Morgan's Creek,I Married a Witch, Christmas in July, The Lady Eve, and The Great McGinty.
George Cukor: The Philadelphia Story, Gaslight, Adam's Rib, Susan and God, Her Cardboard Lover, Keeper of the Flame, Edward, My Son, A Double Life, I'll Be Seeing You, and Desire Me.
John Ford: The Grapes of Wrath, The Long Voyage Home, Tobacco Road, How Green Was My Valley, We Sail at Midnight, Sex Hygiene, 3 Godfathers, My Darling Clementine, Torpedo Squadron,December 7th: The Movie,They Were Expendable, Fort Apache, The Battle of Midway, She Wore a Yellow Ribbon, and The Fugitive.
Jacques Tourneur: Cat People, I Walked With a Zombie, Out of the Past, Canyon Passage, The Leopard Man, Phantom Raiders, Days of Glory, Easy Living, Experiment Perilous, and Berlin Express.
Vittorio De Sica: Shoeshine, Bicycle Thieves, Heart and Soul, The Children Are Watching Us, The Gates of Heaven, A Garibaldian in the Convent, Teresa Venerdì, Maddalena, Zero for Conduct, and Red Roses.
Roberto Rossellini: Rome, Open City, Paisan, Germany, Year Zero, L'Amore, The White Ship, A Pilot Returns, and The Man with a Cross.
Ernst Lubitsch: To Be or Not to Be, The Shop Around the Corner, Heaven Can Wait, Cluny Brown, That Uncertain Feeling, A Royal Scandal, and That Lady in Ermine.
Powell and Pressburger: The Life and Death of Colonel Blimp, The Red Shoes, A Canterbury Tale, I Know Where I'm Going!, A Matter of Life and Death, Black Narcissus, Contraband, 49th Parallel, One of Our Aircraft Is Missing,The Small Back Room,and An Airman's Letter to His Mother.
Michael Curtiz: Casablanca, Mildred Pierce, The Sea Wolf, Yankee Doodle Dandy, This Is the Army, Night and Day, Romance on the High Seas, Santa Fe Trail, Virginia City, The Sea Hawk, Captains of the Clouds, Dive Bomber, Life with Father, Mission to Moscow, Janie, Passage to Marseille, Roughly Speaking, The Unsuspected, My Dream Is Yours, Flamingo Road, and The Lady Takes a Sailor.
John M. Stahl: Leave Her to Heaven, The Foxes of Harrow, The Eve of St. Mark, Our Wife, Immortal Sergeant, Holy Matrimony, The Keys of the Kingdom, The Walls of Jericho, Father Was a Fullback, and Oh, You Beautiful Doll.
Billy Wilder: The Major and the Minor, The Lost Weekend, Double Indemnity, Five Graves to Cairo, Death Mills, The Emperor Waltz, and A Foreign Affair.
Nicholas Ray: They Live by Night, A Woman's Secret, and Knock on Any Door.
Elia Kazan: A Tree Grows in Brooklyn, Pinky, Boomerang, The Sea of Grass, and Gentleman's Agreement.
Frank Capra: It’s a Wonderful Life, Arsenic and Old Lace, State of the Union, and Meet John Doe.
Carol Reed: The Third Man, Odd Man Out, The Fallen Idol, The Stars Look Down, Girl in the News, A Letter from Home, Kipps, The Young Mr. Pitt, Night Train to Munich, The New Lot, and The Way Ahead.
David Lean: In Which We Serve, This Happy Breed, Brief Encounter, Blithe Spirit, Oliver Twist, Great Expectations, and The Passionate Friends.
Mervyn LeRoy: Waterloo Bridge, Random Harvest, Little Women, East Side, West Side, Without Reservations, Any Number Can Play, The House I Live In, Madame Curie, Thirty Seconds Over Tokyo, Blossoms in the Dust, Johnny Eager, Escape, and Homecoming.
Vincente Minnelli: Meet Me in St. Louis, I Dood It, Cabin in the Sky, Yolanda and the Thief, The Clock, Undercurrent, Ziegfeld Follies, The Pirate, Madame Bovary, and Till the Clouds Roll By.
Charles Walters: Ziegfeld Follies, Easter Parade, Good News, and The Barkleys of Broadway.
Leo McCarey: The Bells of St. Mary's and Once Upon a Honeymoon.
Jean Renoir: The Woman on the Beach, The Southerner, The Diary of a Chambermaid, Swamp Water, and This Land is Mine.
Anthony Mann: Moonlight in Havana, Sing Your Way Home, My Best Gal, Nobody's Darling, Dr. Broadway, Strangers in the Night, Bamboo Blonde, Raw Deal, T-Men, Desperate, Railroaded!, Border Incident, Reign of Terror, Two O'Clock Courage, and Strange Impersonation.
King Vidor: The Fountainhead, On Our Merry Way, Duel in the Sun, An American Romance, Comrade X, Northwest Passage, H. M. Pulham, Esq., and Beyond the Forest.
Robert Rossen: All The King’s Men, Johnny O'Clock, The Strange Love of Martha Ivers, A Child Is Born, Edge of Darkness, Out of the Fog, Blues in the Night, A Walk in the Sun, The Undercover Man, Desert Fury, and Body and Soul.
Fred Zinnemann: The Search, Kid Glove Killer, Eyes in the Night, The Clock, Act of Violence, The Seventh Cross, Little Mister Jim, and My Brother Talks to Horses.
Robert Wise: Criminal Court, The Curse of the Cat People, Mademoiselle Fifi, The Body Snatcher, Born to Kill, The Set-Up, A Game of Death, Blood on the Moon, and Mystery in Mexico.
Akira Kurosawa: Sanshiro Sugata, Sanshiro Sugata Part II, The Most Beautiful, One Wonderful Sunday, Drunken Angel, The Quiet Duel, Stray Dog, The Men Who Tread on the Tiger's Tail, and No Regrets for Our Youth.
Otto Preminger: Laura, Fallen Angel, Daisy Kenyon, Forever Amber, Whirl Pool, The Fan, Margin for Error, In the Meantime, Darling, and Centennial Summer.
Jules Dassin: Thieves' Highway, A Letter for Evie, Brute Force, Two Smart People, The Naked City, Young Ideas, The Canterville Ghost, Nazi Agent, The Tell-Tale Heart, The Affairs of Martha, and Reunion in France.
Charlie Chaplin: The Great Dictator, and Monsieur Verdoux.
George Stevens: The More the Merrier, The Talk of the Town, Penny Serenade, Woman of the Year, Vigil in the Night, On Our Merry Way, The Nazi Plan, and I Remember Mama.
Yasujirô Ozu: Late Spring, Brothers and Sisters of the Toda Family, A Hen in the Wind, There Was a Father, and Record of a Tenement Gentleman.
Fritz Lang: Secret Beyond the Door, The Woman in the Window, Scarlet Street, Cloak and Dagger, Man Hunt, Ministry of Fear, Hangmen Also Die!, Western Union, Moon Tide, and The Return of Frank James.
Raoul Walsh: High Sierra, White Heat, Colorado Territory, Fighter Squadron, Silver River, Pursued, The Man I Love, Cheyenne, Uncertain Glory, Objective, Burma!, Manpower, Desperate Journey, Northern Pursuit, The Strawberry Blonde, They Died with Their Boots On, Gentleman Jim, Dark Command, and They Drive by Night.
Vincent Sherman: Nora Prentiss, Mr. Skeffington, Adventures of Don Juan, The Unfaithful, The Hard Way, Old Acquaintance, The Hasty Heart, In our Time, Pillow to Post, Janie Gets Married, Saturday's Children, The Man Who Talked Too Much, Underground, Flight from Destiny, Across the Pacific, and All Through the Night.
Anatole Litvak: The Snake Pit, City for Conquest, The Battle of Russia, Why We Fight, Sorry, Wrong Number, This Above All, The Long Night, All This, and Heaven Too, and Castle on the Hudson.
Max Ophüls: Caught, The Reckless Moment, The Exile, Letter from an Unknown Woman, Vendetta, and Sarajevo.
Charles Vidor: Gilda, Cover Girl, Over 21, The Loves of Carmen, The Tuttles of Tahiti, The Desperadoes, Together Again, A Song to Remember, The Man from Colorado, New York Town, Ladies in Retirement, My Son, My Son!, and The Lady in Question.
Edgar G. Ulmer: Detour, Isle of Forgotten Sins, Girls in Chains, Tomorrow We Live, Club Havana, The Strange Woman, My Son, the Hero, Jive Junction, Strange Illusion, Bluebeard, Her Sister's Secret, The Pirates of Capri, Ruthless, The Wife of Monte Cristo, and Carnegie Hall.
Maya Daren: At Land, Meshes of the Afternoon, A Study for Choreography for Camera, Ritual in Transfigured Time, and Meditation on Violence.
Victor Fleming: Dr. Jekyll and Mr. Hyde, Joan of Arc, Adventure, A Guy Named Joe, and Tortilla Flat.
Joseph L. Mankiewicz: A Letter to Three Wives, Escape, House of Strangers, The Late George Apley, The Ghost and Mrs. Muir, Dragonwyck, and Somewhere in the Night.
Robert Bresson: Angels of Sin and Les Dames du Bois de Boulogne.
Luis Buñuel: Gran Casino and The Great Madcap.
Fei Mu: Spring in a Small Town, Confucius, The Beauty, A Wedding in the Dream, The Magnificent Country, Songs of Ancient China, and The Little Cowheard.
Kenji Mizoguchi: The 47 Ronin, A Woman of Osaka, Flame of My Love, The Love of the Actress Sumako, Victory Song, Utamaro and His Five Women, Women of the Night, Victory of Women, The Famous Sword Bijomaru, Three Generations of Danjuro, The Life of an Actor, and Miyamoto Musashi.
Douglas Sirk: Lured, Sleep, My Love, Hitler's Madman, Summer Storm, A Scandal in Paris, Shockproof, and Slightly French.
René Clément: The Battle of the Rails, The Damned, Mr. Orchid, and The Walls of Malapaga.
Robert Hamer: Kind Hearts and Coronets, The Spider and the Fly, It Always Rains on Sunday, San Demetrio London, and Pink String and Sealing Wax.
Robert Siodmak: Criss Cross, Cry of The City, Dark Mirror, Phantom Lady, The Killers, The Spiral Staircase, Christmas Holiday, The Strange Affair of Uncle Harry, Time Out of Mind, Son of Dracula, The Suspect, The Night Before the Divorce, Someone to Remember, Cobra Woman, The File on Thelma Jordon, The Great Sinner, West Point Widow, My Heart Belongs to Daddy, and Fly-by-Night.
Humphrey Jennings: Spring Offensive, Welfare of the Workers, London Can Take It!, A Diary for Timothy, This Is England, Words for Battle, Fires Were Started, Listen to Britain, The Silent Village, The True Story of Lili Marlene, The Eighty Days, Myra Hess, A Defeated People, The Cumberland Story, and The Dim Little Island.
William Dieterle: Dr. Ehrlich's Magic Bullet, Kismet, This Love of Ours, Syncopation, The Searching Wind, Rope of Sand, Portrait of Jennie, The Accused, I'll Be Seeing You, A Dispatch from Reuters, The Devil and Daniel Webster, Tennessee Johnson, and Love Letters.
Edmund Goulding: The Razor's Edge, Nightmare Alley, The Shocking Miss Pilgrim, Everybody Does It, Claudia, Of Human Bondage, Flight from Folly, Forever and a Day, Old Acquaintance, The Constant Nymph, The Great Lie, and Til We Meet Again.
Luchino Visconti: Ossessione and La Terra Trema.
Ernest B. Schoedsack: Dr. Cyclops and Mighty Joe Young.
Roy Del Ruth: It Happened on 5th Avenue, Red Light, The Babe Ruth Story, The Chocolate Soldier, Topper Returns, He Married His Wife, Du Barry Was a Lady, and Ziegfeld Follies.
Rene Clair: And Then There Were None, I Married a Witch, Man About Town,It Happened Tomorrow, The Flame of New Orleans, and Forever and a Day.
John Cromwell: Victory, Abe Lincoln in Illinois, So Ends Our Night, Son of Fury: The Story of Benjamin Blake, Anna and the King of Siam, Dead Reckoning, The Enchanted Cottage, Since You Went Away, and Night Song.
Richard Fleischer: Trapped, Make Mine Laughs, The Clay Pigeon, Follow Me Quietly, Banjo, Design for Death, So This Is New York, Bodyguard, and Child of Divorce.
Norman Z. McLeod: Jackass Mail, The Secret Life of Walter Mitty, Panama Hattie, The Paleface, and Little Men.
submitted by Britneyfan456 to criterion [link] [comments]

Which Director had the best run in the 40s?

Best run in terms of anything
William Wyler: The Westerner, The Heiress, The Little Foxes, The Letter, The Best Years of Our Lives, Mrs. Miniver, Memphis Belle, and Thunderbolt.
Orson Welles: Citizen Kane, The Magnificent Ambersons, The Lady from Shanghai, Macbeth, Journey into Fear,The Stranger, Black Magic, and Follow the Boys.
John Huston: The Maltese Falcon, The Treasure of the Sierra Madre, Key Largo, We Were Strangers, In This Our Life, Across the Pacific, and Let There Be Light.
Howard Hawks: Red River, I Was a Male War Bride,A Song Is Born, To Have and Have Not, The Big Sleep, Sergeant York, His Girl Friday, Air Force, and Ball of Fire.
Alfred Hitchcock: Notorious, Rebecca, Shadow of a Doubt, Spellbound, Rope, Suspicion, Under Capricorn, Foreign Correspondent, Saboteur, Mr. & Mrs. Smith, Lifeboat, and The Paradine Case.
Preston Sturges: The Palm Beach Story, Sullivan's Travels, Unfaithfully Yours, The Great Moment, The Miracle of Morgan's Creek,I Married a Witch, Christmas in July, The Lady Eve, and The Great McGinty.
George Cukor: The Philadelphia Story, Gaslight, Adam's Rib, Susan and God, Her Cardboard Lover, Keeper of the Flame, Edward, My Son, A Double Life, I'll Be Seeing You, and Desire Me.
John Ford: The Grapes of Wrath, The Long Voyage Home, Tobacco Road, How Green Was My Valley, 3 Godfathers, December 7th: The Movie, My Darling Clementine, They Were Expendable, We Sail at Midnight, Fort Apache, Torpedo Squadron ,The Battle of Midway, How to Operate Behind Enemy Lines, She Wore a Yellow Ribbon, and The Fugitive.
Jacques Tourneur: Cat People, I Walked With a Zombie, Out of the Past, Canyon Passage, The Leopard Man, Phantom Raiders, Days of Glory, Easy Living, Experiment Perilous, and Berlin Express.
Vittorio De Sica: Shoeshine, Bicycle Thieves, Heart and Soul, The Children Are Watching Us, The Gates of Heaven, A Garibaldian in the Convent, Teresa Venerdì, Maddalena, Zero for Conduct, and Red Roses.
Roberto Rossellini: Rome, Open City, Paisan, Germany, Year Zero, L'Amore, The White Ship, A Pilot Returns, and The Man with a Cross.
Ernst Lubitsch: To Be or Not to Be, The Shop Around the Corner, Heaven Can Wait, Cluny Brown, That Uncertain Feeling, A Royal Scandal, and That Lady in Ermine.
Powell and Pressburger: The Life and Death of Colonel Blimp, The Red Shoes, A Canterbury Tale, I Know Where I'm Going!, A Matter of Life and Death, Black Narcissus, Contraband, 49th Parallel, One of Our Aircraft Is Missing, The Small Back Room, and An Airman's Letter to His Mother.
Michael Curtiz: Casablanca, Mildred Pierce, The Sea Wolf, Yankee Doodle Dandy, This Is the Army, Night and Day, Romance on the High Seas, Santa Fe Trail, Virginia City, The Sea Hawk, Captains of the Clouds, Dive Bomber, Life with Father, Mission to Moscow, Janie, Passage to Marseille, Roughly Speaking, The Unsuspected, My Dream Is Yours, Flamingo Road, and The Lady Takes a Sailor.
John M. Stahl: Leave Her to Heaven, The Foxes of Harrow, The Eve of St. Mark, Our Wife, Immortal Sergeant, Holy Matrimony, The Keys of the Kingdom, The Walls of Jericho, Father Was a Fullback, and Oh, You Beautiful Doll.
Billy Wilder: The Major and the Minor, The Lost Weekend, Double Indemnity, Five Graves to Cairo, Death Mills, The Emperor Waltz, and A Foreign Affair.
Nicholas Ray: They Live by Night, A Roseanna McCoy, Woman's Secret, and Knock on Any Door.
Elia Kazan: A Tree Grows in Brooklyn, Pinky, Boomerang, The Sea of Grass, and Gentleman's Agreement.
Frank Capra: It’s a Wonderful Life, Arsenic and Old Lace, State of the Union, and Meet John Doe.
Carol Reed: The Third Man, Odd Man Out, The Fallen Idol, The Stars Look Down, Girl in the News, A Letter from Home, Kipps, The Young Mr. Pitt, Night Train to Munich, The New Lot, and The Way Ahead.
David Lean: In Which We Serve, This Happy Breed, Brief Encounter, Blithe Spirit, Oliver Twist, Great Expectations, and The Passionate Friends.
Mervyn LeRoy: Waterloo Bridge, Random Harvest, Little Women, East Side, West Side, Without Reservations, Any Number Can Play, The House I Live In, Madame Curie, Thirty Seconds Over Tokyo, Blossoms in the Dust, Johnny Eager, Escape, and Homecoming.
Vincente Minnelli: Meet Me in St. Louis, I Dood It, Cabin in the Sky, Yolanda and the Thief, The Clock, Undercurrent, Ziegfeld Follies, The Pirate, Madame Bovary, and Till the Clouds Roll By.
Charles Walters: Ziegfeld Follies, Easter Parade, Good News, and The Barkleys of Broadway.
Leo McCarey: The Bells of St. Mary's and Once Upon a Honeymoon.
Jean Renoir: The Woman on the Beach, The Southerner, The Diary of a Chambermaid, Swamp Water, and This Land is Mine.
Anthony Mann: Moonlight in Havana, Sing Your Way Home, My Best Gal, Nobody's Darling, Dr. Broadway, Strangers in the Night, Bamboo Blonde, Raw Deal, T-Men, Desperate, Railroaded!, Border Incident, Reign of Terror, Two O'Clock Courage, and Strange Impersonation.
King Vidor: The Fountainhead, On Our Merry Way, Duel in the Sun, An American Romance, Comrade X, Northwest Passage, H. M. Pulham, Esq., and Beyond the Forest.
Robert Rossen: All The King’s Men, Johnny O'Clock, The Strange Love of Martha Ivers, A Child Is Born, Edge of Darkness, Out of the Fog, Blues in the Night, A Walk in the Sun, The Undercover Man, Desert Fury, and Body and Soul.
Fred Zinnemann: The Search, Kid Glove Killer, Eyes in the Night, The Clock, Act of Violence, The Seventh Cross, Little Mister Jim, and My Brother Talks to Horses.
Robert Wise: Criminal Court, The Curse of the Cat People, Mademoiselle Fifi, The Body Snatcher, Born to Kill, The Set-Up, A Game of Death, Blood on the Moon, and Mystery in Mexico.
Akira Kurosawa: Sanshiro Sugata, Sanshiro Sugata Part II, The Most Beautiful, One Wonderful Sunday, Drunken Angel, The Quiet Duel, Stray Dog, The Men Who Tread on the Tiger's Tail, and No Regrets for Our Youth.
Otto Preminger: Laura, Fallen Angel, Daisy Kenyon, Forever Amber, Whirl Pool, The Fan, Margin for Error, In the Meantime, Darling, and Centennial Summer.
Jules Dassin: Thieves' Highway, A Letter for Evie, Brute Force, Two Smart People, The Naked City, Young Ideas, The Canterville Ghost, Nazi Agent, The Tell-Tale Heart, The Affairs of Martha, and Reunion in France.
Charlie Chaplin: The Great Dictator, and Monsieur Verdoux. George Stevens: The More the Merrier, The Talk of the Town, Penny Serenade, Woman of the Year, Vigil in the Night, On Our Merry Way, The Nazi Plan, and I Remember Mama.
Yasujirô Ozu: Late Spring, Brothers and Sisters of the Toda Family, A Hen in the Wind, There Was a Father, and Record of a Tenement Gentleman.
Fritz Lang: Secret Beyond the Door, The Woman in the Window, Scarlet Street, Cloak and Dagger, Man Hunt, Ministry of Fear, Hangmen Also Die!, Western Union, Moon Tide, and The Return of Frank James.
Raoul Walsh: High Sierra, White Heat, Colorado Territory, Fighter Squadron, Silver River, Pursued, The Man I Love, Cheyenne, Uncertain Glory, Objective, Burma!, Manpower, Desperate Journey, Northern Pursuit, The Strawberry Blonde, They Died with Their Boots On, Gentleman Jim, Dark Command, and They Drive by Night.
Vincent Sherman: Nora Prentiss, Mr. Skeffington, Adventures of Don Juan, The Unfaithful, The Hard Way, Old Acquaintance, The Hasty Heart, In our Time, Pillow to Post, Janie Gets Married, Saturday's Children, The Man Who Talked Too Much, Underground, Flight from Destiny, Across the Pacific, and All Through the Night.
Anatole Litvak: The Snake Pit, City for Conquest, The Battle of Russia, Why We Fight, Sorry, Wrong Number, This Above All, The Long Night, All This, and Heaven Too, and Castle on the Hudson.
Max Ophüls: Caught, The Reckless Moment, The Exile, Letter from an Unknown Woman, Vendetta, and Sarajevo.
Charles Vidor: Gilda, Cover Girl, Over 21, The Loves of Carmen, The Tuttles of Tahiti, The Desperadoes, Together Again, A Song to Remember, The Man from Colorado, New York Town, Ladies in Retirement, My Son, My Son!, and The Lady in Question.
Edgar G. Ulmer: Detour, Isle of Forgotten Sins, Girls in Chains, Tomorrow We Live, Club Havana, The Strange Woman, My Son, the Hero, Jive Junction, Strange Illusion, Bluebeard, Her Sister's Secret, The Pirates of Capri, Ruthless, The Wife of Monte Cristo, and Carnegie Hall.
Victor Fleming: Dr. Jekyll and Mr. Hyde, Joan of Arc, Adventure, A Guy Named Joe, and Tortilla Flat.
Joseph L. Mankiewicz: A Letter to Three Wives, Escape, House of Strangers, The Late George Apley, The Ghost and Mrs. Muir, Dragonwyck, and Somewhere in the Night.
Robert Bresson: Angels of Sin and Les Dames du Bois de Boulogne.
Luis Buñuel: Gran Casino and The Great Madcap.
Fei Mu: Spring in a Small Town, Confucius, The Beauty, A Wedding in the Dream, The Magnificent Country, Songs of Ancient China, and The Little Cowheard.
Kenji Mizoguchi: The 47 Ronin, A Woman of Osaka, Flame of My Love, The Love of the Actress Sumako, Victory Song, Utamaro and His Five Women, Women of the Night, Victory of Women, The Famous Sword Bijomaru, Three Generations of Danjuro, The Life of an Actor, and Miyamoto Musashi.
Douglas Sirk: Lured, Sleep, My Love, Hitler's Madman, Summer Storm, A Scandal in Paris, Shockproof, and Slightly French.
René Clément: The Battle of the Rails, The Damned, Mr. Orchid, and The Walls of Malapaga.
Robert Hamer: Kind Hearts and Coronets, The Spider and the Fly, It Always Rains on Sunday, San Demetrio London, and Pink String and Sealing Wax.
Robert Siodmak: Criss Cross, Cry of The City, Dark Mirror, Phantom Lady, The Killers, The Spiral Staircase, Christmas Holiday, The Strange Affair of Uncle Harry, Time Out of Mind, Son of Dracula, The Suspect, The Night Before the Divorce, Someone to Remember, Cobra Woman, The File on Thelma Jordon, The Great Sinner, West Point Widow, My Heart Belongs to Daddy, and Fly-by-Night.
Humphrey Jennings: Spring Offensive, Welfare of the Workers, London Can Take It!, A Diary for Timothy, This Is England, Words for Battle, Fires Were Started, Listen to Britain, The Silent Village, The True Story of Lili Marlene, The Eighty Days, Myra Hess, A Defeated People, The Cumberland Story, and The Dim Little Island.
William Dieterle: Dr. Ehrlich's Magic Bullet, Kismet, This Love of Ours, Syncopation, The Searching Wind, Rope of Sand, Portrait of Jennie, The Accused, I'll Be Seeing You, A Dispatch from Reuters, The Devil and Daniel Webster, Tennessee Johnson, and Love Letters.
Edmund Goulding: The Razor's Edge, Nightmare Alley, The Shocking Miss Pilgrim, Everybody Does It, Claudia, Of Human Bondage, Flight from Folly, Forever and a Day, Old Acquaintance, The Constant Nymph, The Great Lie, and Til We Meet Again.
Luchino Visconti: Ossessione and La Terra Trema.
Ernest B. Schoedsack: Dr. Cyclops and Mighty Joe Young.
Roy Del Ruth: It Happened on 5th Avenue, Red Light, The Babe Ruth Story, The Chocolate Soldier, Topper Returns, He Married His Wife, Du Barry Was a Lady, and Ziegfeld Follies.
Rene Clair: And Then There Were None, I Married a Witch, Man About Town,It Happened Tomorrow, The Flame of New Orleans, and Forever and a Day.
John Cromwell: Victory, Abe Lincoln in Illinois, So Ends Our Night, Son of Fury: The Story of Benjamin Blake, Anna and the King of Siam, Dead Reckoning, The Enchanted Cottage, Since You Went Away, and Night Song.
Richard Fleischer: Trapped, Make Mine Laughs, The Clay Pigeon, Follow Me Quietly, Banjo, Design for Death, So This Is New York, Bodyguard, and Child of Divorce.
Norman Z. McLeod: Jackass Mail, The Secret Life of Walter Mitty, Panama Hattie, The Paleface, and Little Men.
submitted by Britneyfan456 to classicfilms [link] [comments]

Finished Trails of Cold Steel 3! (massive post)

My posts on: SC | 3rd | Zero | Ao | CS1 | CS2 | Sidestories
Spoilers for CS1-3 and all Sky/Crossbell games incoming.
Holy fuck, where do I even start - that was an amazing game. I'd heard CS3 was one of the best Trails games and a huge improvement on CS1/2, but seeing it actually live up to the hype was something else. Overall this definitely felt like the meatiest Trails game yet, the chapters were extremely long yet as well-paced as Ao (well the field studies at least), so so oh so much new lore and plot reveals, tons of character development across the board, returns of characters and plot lines from Sky/Crossbell, and more and more and more. Trying to gather my thoughts on everything is going to be pretty difficult with how much happened (sorry in advance if I miss anything important). Of course, there were some things I thought it didn't do so well, but the good definitely overwhelmed the bad by a large margin. New engine was also pretty nice, I like how detailed the character faces are now.
My total play time was ~210 hours excluding idle time, so easily the longest it's ever taken me to finish a game. This was mostly because my japanese sucks and I read at a snail's pace lol - though my reading speed has improved hugely since I started so CS4 shouldn't take as long. I did reference the spreadsheet a lot (Kitsune is a god for making that), and it was a lifesaver during some of the more difficult military/political/lore discussions (though I took it with a grain of salt as I noticed quite a few mistranslations). I tried to get all the npc dialogue/sidequests, but by mid-chapter 2 it was just taking far too long, so I limited myself to npcs listed in the notebook and important-looking sidequests. I got all the Vantage Master cards of course though, that has to be my favourite minigame in any game ever (I used to be super into TCGs). Speaking of which was there a final one I missed? Only one that felt difficult was the mandatory chapter 3 one, otherwise the AI kinda sucked (too easily baited by your master). Anyway, I'm looking forward to diving into the side content/npcs when the english version comes out.
As for the new class 7, well when I first found out they were a thing my immediate reaction was "do we really need to bloat the cast even further?". It felt a bit jarring suddenly switching over to all these new characters, but I wanted to go in with an open mind. And I'm happy I did because I absolute loved them! Personally I never got too attached to most of the old class 7, it felt like quantity over quality compared to casts of previous games, so I think it was definitely a step in the right direction to make new class 7 a smaller group. They all had interesting chemistry with each other with their unique and contrasting personalities, had great character development (more than old class 7 managed in 2 games imo), and best of all they actually interacted with each other as much as they did with Rean - the lack of that was one of my biggest gripes with old class 7.
One thing I did find pretty funny though was (aside from Altina of course) how much they all seem like typical OCs: pink haired enthusiastic girl who is the SSS' biggest fan and lives on the secret floor of the apartment complex, blue haired guy who is Mueller's never mentioned before half-brother, yellow haired guy who is the secret 3rd Hamel survivor with a cursed eye, and green haired girl who is Cayenne's mysterious niece, and knows everything, and plays everyone like shogi pieces, and went to the same school as the princess/Elise, and wants Rean's dick because why the hell not. Not that I'm complaining btw, they're all fantastic additions to the cast.
Prologue
First gotta say I really like the title screen music - wasn't too crazy about CS1/2's, so this was a welcome surprise. I hope CS4's is poignant like SC and Ao's, I really liked how those games contrasted FC/Zero's to show the change in tone.
Oh here we go again, a totally unsuspicious flashforward. I'm not buying it, there has to be something going on here - these events would've played out completely differently without Aurelia and Angelica. Like the one in CS1 I don't think this is KeA's influence, but probably someone else that can manipulate causality/history and is trying to avoid bad futures (the Grandmaster?). Anyway, I was really surprised to see Arianrhod so early, talk about an exciting way to start things off. I'm happy they didn't try to hide that Ash/Musse would eventually join class 7, I thought that was detrimental in CS1 as it didn't give as much time to be invested in Millium/Crow. The character introduction has to be the coolest yet, it made me super hyped seeing Agate/Tita/Randy/Tio were coming back.
I was surprised at how much Rean grew in 1.5 years, like damn where's my invitation to the harem? In all seriousness it shocked me how beaten down by life he seemed compared to CS1/2 - I mean you see the process starting at the end of CS2, but still... it hurts. Which is why making him an instructor was the best decision ever! I expected Rean to join the military or something along those lines after graduation, so I seeing him become an instructor was a huge surprise. It felt like such a fantastic direction to take his character in - I'm surprised I never considered it. I didn't know anything about the branch school either, so it was exciting seeing so many familiar faces in it (I might've had a minor freakout when I saw best boy from Crossbell). I do like how there's a lot less students in the branch school, it makes them feel a lot more unique (again quality over quantity).
It's weird thinking back to Juna/Kurt/Altina at the start of the game, they feel very different due to the amount of development over the course of the game. I did like how Kurt/Juna initially threw tons of shade at Rean (immediately calling him out for wearing glasses) and it was also nice seeing Rean getting Altina out of secret agent mode and into student mode. Repeating the 'guy falls on girl to protect her' thing was a bit silly, but at least it was resolved 10x more quickly this time. I can't say I care about the fortress, feels like they just copied the old schoolhouse (which I already wasn't too crazy over) and took out all the interesting plot/mystery parts. It worked well in the prologue at least though, it was great seeing Juna/Kurt slowly see Rean for who he is and begin to respect him. I feel bad for poor Tita having to put up with Schmidt lol, but I suppose she knew what she was in for. Then Aurelia makes me whip out a dictionary for every single one of her lines, and finally the ironbloods have a call with Osborne - pretty solid prologue I'd say.
I think the opening plays afterwards, and it's... disappointing. Some good sakuga, but the characters look really off-model, frames are lacking in detail, and there's a lot of lazy animation techniques with no attempt to cover them up. Music is pretty great though, plus I like how it builds up hype without being too spoilery. That being said I've watched CS4's opening since, so uh, at least that makes me appreciate that CS3's isn't total crap.
Chapter 1
Wait, since when did North Ambria (Northumbria?) get annexed? I didn't know about this going in, so that was a surprise to hear - calm down Osborne jeez. I'm happy they gradually explained what happened there throughout the game, I was worried it would be glossed over. It's pretty cool to have students from so many different places - Louise from Remiferia, Valerie from North Ambria, Stark from Jurai etc. I was happy to see Rean was keeping in contact with his classmates, was worried he might be isolating himself. Oh and we get bath scenes, well they add interesting character interactions so can't complain (though throughout the game I did notice a very unbalanced gender ratio for these lol).
Aaaand free days are back, complete with bond events. This was the first time I've played without a NG+ file, so it was kinda annoying having to deal with the arbitrary limit on them (what's the point in doing that when they're all canon?). I'll look forward to getting the rest assuming the game comes out on PC. Roselia and Munk coming back was really cool, I was surprised to see how much focus random Thors students got here (RIP everyone that didn't do the Thors npc dialogue in CS1/2). It's a bit odd that Falcom assumes you've watched the Black Records NG+ scene, surely they don't expect most people to bother with those obscure collectables on top of NG+? From what I gathered Rean finding out about them and collecting the black records technically happens after CS2, which is even weirder (does Rean also do NG+? Lmao). Oh and it was really cool seeing the Capua delivery service, along with Jingo with a more unique character design. Sending all the students on field studies to help deal with Ouroboros/Jeagers is pretty nuts, though I do like how it means the whole school comes along. It's also pretty funny watching Michael having to deal with Aurelia's crazy antics.
Millium returns! It was great to see her back so soon, she's one of the few oc7 members I got invested in. Her outfit made me roll my eyes, but it's not as bad as Altina's in CS2 at least. Her relationship with Altina is really cute, especially with how kuudere Altina is about it. Millium and Altina both being artificial humans is interesting, reminds me of KeA. It's kind of sad that Altina wasn't awakened for long before being dragged into the civil war conflict :(. I have to say as much as I dislike harems, Musse's obsession with Rean is pretty hilarious. This girl gives no fucks, just dives in with her innuendos and tries to seduce Rean at every possible opportunity. Rean being so done with her shit makes it even better. I was also instantly sold on Ash, tsundere delinquent with a good heart is one of my favourite archetypes (plus he joins the best club). Also Misty returns! Didn't expect this at all, but I was happy to see Vita 'appear' so early on. Shows she actually enjoyed her little radio show.
The Soldat training is cool, feels a lot less monotonous this time around since you have a party of them. It's interesting seeing them get mass-produced and normalized into the military. I still couldn't get over Randy and Rean (Towa too) being co-workers, like that's the coolest thing ever. It's pretty crazy they have their own private train, as well as a private base when they reach the field study location. Also finally a full map of Erebonia! Having everything in english is a nice bonus. I loved finally being able to visit Saint Arkh, it's very pretty - also interesting that it was used as a temp capital when the dark dragon took over Heimdallr. CS1/2 build him up to be a good person that only joined the civil war due to pressure, but Marquis Hyarms was still a nice contrast to all the other Marquis' - very approachable. Of course Shirley would appear in the kitten quest, I should've known lol. I wish Isthmia Forest had more meat to it (look at the size of that thing on the map!), but that was still a cool section with Rose at the end (idk what she did though).
Lol can't bring Shirley back without having her molest someone. Exploring Palm was pretty great as well, I believe it's been mentioned as early as the Sky games? But yeah, I really like how huge the areas for each chapter are in this game, it's an improvement on CS1 which could be a bit limited in that regard. Mint being upgraded to minor character status was a nice surprise, I really liked her in CS1/2. Laura's return was pretty awesome too, I love her new design. Great to see she's been going around training up, because getting to Lianne's level sure isn't going to be easy. I didn't expect the training ground to get ambushed, that was pretty crazy. I was really happy to see Shirley fight with Fie, I've thought for a while that they'd make good foils for each other. It's interesting that she's enforcer 17 though, I thought she'd take the number of one of the enforcers that left the society. Or maybe other people did? Either way, there's still enforcer 16, I'm curious who they could be. But yeah, this part did a great job at showing how dangerous these field studies are compared to CS1.
So Rean's been sent orders by the government for the past year and a half huh, that's pretty rough. I loved seeing the oc7 members come in to support him, it's so nice to hear that they were worried about him being used as the government's dog. Rean's over-protectiveness of his students to the point where he hurts Kurt's feelings in order to stop him is an interesting twist on his character, I really like how this game explores Rean's character with his instructor role. Also Ash working with the intelligence division is revealed, which explains some of his previous actions. Musse starts talking cryptically like the current events are some kind of game/play, and this is when I started to suspect something big was up with her. Toval making an appearance was pretty great, plus Olivier sneaking in some artifact inspired device (or was it literally an artifact?) for communication is pretty impressive. Seeing Craig and Neinhart again was also pretty cool, I love how supportive of c7 they are despite their difficult position. And Alan joined the army (another one of my favourite Thors students yay), wow, wonder if the other fencing club members did as well.
And finally, the trip to Hamel - I've been waiting to do this since SC, so I was super hyped. Having Agate in the party was great (btw I love his CS3 design), and I'm happy they explained why Estelle and Joshua couldn't enter the country. His over-protectiveness of Tita is sweet, though this game really is shipping them hard :|. But yeah, then we come to Hamel... wow, it was as depressing as I thought it would be. Seeing Joshua, Loewe and Karin's broken possessions was really heartbreaking, especially combined with the music (very fitting remix). In retrospect I'm pretty sure one of them was Ash's, haven't gone back to check yet though. Everyone united in putting down flowers for Loewe was a wonderful moment (even Shirley).
And the finale of the chapter, this was pretty crazy - an even more upgraded Aion (idk where it gets its power from but I don't think I'm supposed to yet), nc7 come in to help Rean, and now Rudger's back from the dead? I suspected he'd come back at some point with how Xeno and Leo acted in the palace, but definitely not this early. And he has a purple divine knight?! That was definitely unexpected. I feel really bad for Fie, it's not fair that she's been left completely in the dark on this :/. At the time I thought the digital flickering of the knight was specific to the purple one, but based on later events it seems to have something to do with being brought back from the dead - maybe the knights record data from their owner and can recover it somehow? Though that doesn't explain Rudger since he never used a divine knight when he was alive. Anyway, Rean scolding his students only to be called out be oc7 was pretty funny, and it was good to see him promise to let them help next time - you can tell Rean is trying is best to turn into someone who is able to rely on others. Also Ash's eye aches, I thought he had some power to see memories of a place or something (guess that wasn't completely off the mark though).
Chapter 2
Elise and especially Alfin became super pretty over the timeskip, it's nice to see them back. Seeing Emma, Sharon and Alisa again was great, especially Tio being on the other end of the call. I don't remember much after this, so I'll just jump to Cedric - YIKES. Usually Trails tends to develop their characters in a 'good' direction, but I don't remember them ever using negative character development until now. To think Cedric would go from that adorable prince to an arrogant asshole that abuses his authority, I was in total shock. I'm happy Rean wasn't baited by his bs, but poor Kurt was affected by it (Juna was basically my self-insert for that scene). It's interesting that Kurt is to Cedric what Mueller was the Olivier, only with everything going horribly wrong. I'm assuming Osborne removing the Vander family from their position of royal bodyguards was to screw over Olivier and make Cedric easier to manipulate. But yeah, it's incredibly frustrating watching characters turn into crappy people, but equally interesting. That being said, it's pretty fucked up Cedric actually remembers killing Crow, that has to mess a 15 year old up.
Speaking of Crow, I really liked the scene where Rean momentarily mistakes Randy for him (complete with the 50 mira coin), I was actually thinking they had a lot of similarities. I loved seeing Rean go out to drink and bond with Randy, I never thought about those two having good chemistry. It was great seeing them switch to given names, and also talk about Lloyd. Definitely one of my favourite scenes in the game. I like how Towa was salty she wasn't invited lol. I can't remember when this happened, but I was so surprised to see Josette in that pocket watch sidequest, she's grown up so much since 3rd. I love how Leaves ties into everything like that, definitely didn't expect it to be the land the Capua family used to own. It's weird seeing Josette get addressed with formal honorifics haha.
Cedric barging into the mech training with his lackeys was a fun time, very satisfying smashing them to pieces. I found it hilarious how enthusiastic Aurelia was about having them fight when literally everyone else was against it, she's such a fun character. Also great to see Kurt is determined to stay at the branch school (well aside from a certain chess game in a later bond event). Musse is as cryptic as ever, though this at least shows Aurelia knows what's up with her. Crossbell being the place for the next field study was a nice surprise, I didn't think they'd actually rebuild it in 3d. It was sad that Randy was restricted from going into Crossbell, though it makes sense. But seeing Crossbell in 3d, omg it was so cool! Only less than half of it being visitable is good enough for me considering I expected nothing, plus I'm assuming more will be added in CS4.
Rufus is as good at putting on a mask as ever, interesting that he never spoke to Jusis since they last saw each other in CS2. Hearing Lloyd, KeA, Rixia and Arios are on the run and considered terrorists was sad, especially after everything they did in Ao (excluding Arios obviously), I feel you Juna. Speaking of Juna, her family was super sweet, especially the twins (shame we never get to see her dad). But then comes the best part - Tio! I didn't realise how much I missed her and Randy until this game, so happy to have them back again. It was amusing seeing them comment on how similar Tio and Altina are to each other. Actually to jump ahead, I really like that conversation with Tio in the final chapter, where they talk about how heAltina/Millium/Fie all had problems with their emotional development but were able to overcome that thanks to their friends, that was a great scene.
Anyway, so back to Geofront... ugh not another block. While I enjoyed it back in Zero due to the atmosphere, I'm really done with Geofront at this point haha. But playing as Tio again was pretty awesome (gotta nerf her just like Randy though, too OP), it's weird to think she's technically younger than everyone in the party. Alisa and Sharon returning was pretty awesome, it's cool seeing how much Alisa has grown since CS2. That hug though, if you have a favourite Falcom then what's this player choice about lol (Rean even admits he 'enjoyed' it in later dialogue). I was worried Tio and Randy wouldn't be able to meet up, it was great hearing them speak positively about Rean and co. I wasn't expecting to see red pleroma grass, I really like how they're finally tackling a lot of the unsolved mysteries from Zero/Ao.
Sharon's backstory was pretty depressing, with her growing up as an assassin and killing Alisa's father. I'm happy it was finally revealed. It also had quite a lot of interesting info - a massive assassination organization (I forgot its name) that Ouroboros took down and absorbed Enforcer 3 (Golden Butterfly?) and Anguis 4 (something Sinner?), I wonder what that was about. Considering they had silhouettes, I'm guessing they might be revealed in CS4. Also I'm curious how long Ouroboros has been around for, it doesn't feel like long, and by the signs of things Loewe might've actually been one of the first members. But yeah, I understand why Shannon never told Alisa about this.
Falcom surely can't expect me to believe this penniless professor doesn't have nefarious motives, I've lost count of how many times they've pulled that one. His design doesn't help either, my first reaction to seeing him in the fisherman guild was "hmm, is this a new Ouroboros member?". Ugh of course Campanella would try make Rean lose control, but it was great seeing Celine and Emma help out (jeez she became powerful over the timeskip). Portable railway guns is pretty scary, I don't really get why Irina is helping out the Erebonian military so much. The dinner party was really interesting, especially the 8 way tax system to screw over the noble faction. I'm happy Elise/Alfin didn't hold a grudge against Altina for what she did (Juna's reaction though lol "you kidnapped the princess?!").
As for Rufus, I was interested in how on earth he became an ironblood, turns out he's more of a psycho than I thought. Seriously, he was the one who hired V's group? As a kid? Rufus is scary, he has some serious psychopathic tendencies. It's interesting how even he doesn't know about the black workshop though, I thought Osborne would give more info to the ironbloods. McBurn and Campanella jumping onto the tower was pretty wild, poor Sharon. It's really interesting seeing things from nc7's perspective, considering they don't know anything about Ouroboros and the crazy conspiracies going on in the world (except Musse probably). I have to say, Ouroboros is a bizarre organization, I mean you can literally obstruct other members from accomplishing the Grandmaster's plans, and even be hunted down by all the other anguis, yet still be considered a part of it. Grandmaster must have really low standards lmao (in all seriousness I'm pretty sure she has a good reason). The bird cage was really messed up, I definitely understand Juna's feelings - though I can't quite say "down with the Erebonian scum!" anymore now that I understand the internal politics of the empire.
Seeing the closed down SSS building was really sad, I like all the optional dialogue you can get there. Didn't expect to be able to go into Ian's house either, it makes sense that he had an escape route planned (was kinda hoping he'd be fleshed out on more but I suppose that was Ao's job). Oh and yet another secret Geofront block, yayyyyyyy -____-. I loved seeing Emma and Tio combine their powers to find Ouroboros' location though, it's so cool seeing characters from all the arcs work together like this. Olivier joining the party was a nice surprise too, I feel pretty bad for him with how much Osborne has screwed him over, even took away the airship :(. Having Olivier in the party is even funnier in CS compared to the Sky games, since you have everyone going "wtf aren't you the prince?!". Also I really liked how everyone tried to cheer Juna up, Rean's voice message was pretty awesome.
Finally a non-Geofront Crossbell dungeon! I loved seeing the moon tower in 3d, it looks really pretty plus it's a nice bonus being able to look into the distance while on the outer stairs. Azure Siegfried finally appears too, I was getting impatient for when he would appear lol. The confrontation with McBurn and Campanella was awesome (aside from McBurn trying to burn my ps4 with those poorly optimized flame particles), and I loved that Emma was able to suppress his flames (she's grown so much). Juna and co. flying in to help fight was awesome, protect Crossbell girl! Great to see Vita make an appearance again (she's my favourite Anguis), I find it interesting that she's basically working as a separate faction now (seems like at least Blueblanc is working with her?). Oh and not!Crow appears in front of everyone, their reactions were definitely believable (I'm so happy they didn't infect everyone with plot-induced stupidity and go wHo Is ThAt MaSkEd MaN?). Finally the gnomes introduce themselves, how dare they use poor Crow like that! Altina's reaction to the orb confirms that gnomes = black workshop, and I also assumed it was Alisa's father based on her reaction (just seemed like the kind of twist Falcom would pull, looks like I was right).
Anyway, the subplot with Juna gets resolved and she is finally able to accept Rean - I actually really liked this, it's very flawed to dislike someone who saved you just because it shows your incompetence, but it's also very human. Overall this chapter did a fantastic job at developing Juna, plus she works really well as a point of connection between class 7 and the SSS. And then we have one of the best scenes in the game - I didn't expect to see Lloyd and co. at all, that was so awesome. Him and Rean (distance) fist bumping was cheesy as hell and I loved it, it was really depressing seeing them fight in CS2 so I'm so happy they're working together now. But yeah, chapter 2 did an amazing job at tying the Crossbell and Erebonia arcs fully together, overall my 2nd favourite chapter 2 next to Ao (can't beat that trade conference).
Chapter 3
Now before I talk about this chapter, I need to get this out of the way - the formula. Rean has meeting with other instructors -> goes around school -> chats with oc7 member on phone -> free day -> fortress -> meeting for next field study location -> listens to radio -> conversation with Randy about mech exercise -> mech exercise -> location announced to students -> leaving on the train w/ Aurelia's speech -> meeting w/ instructors -> sleep and wake up with Randy -> meeting w/ nc7 and instructors -> head off to meet person in charge of region -> day of activities to find what villains are doing -> reunion with old class 7 member "tHeRe'S nO nEeD fOr ThAt" -> Rean gets an order -> goes out with oc7 -> hunts down Ouroboros who succeeded anyway 'cause experiment.
Of course, this isn't new to the Cold Steel games as CS1/2 were very formulaic, but it felt even more glaring here because of how much more eventful and well-paced the story is compared to those games. Everything pretty much grinds to a halt once you start a new chapter, as you prepare yourself to grind through the same predictable structure yet again. Thankfully once they reach the field study location the formula eases up a bit and is more willing to change things up (especially in later chapters), and the formula repeats itself less often by virtue of this game only having 4 chapters that follow it, but it really is a shame CS3 feels the need to force itself into a formula in the first place.
Moving back to the positives though, Ash and Musse finally join class 7! I'm happy it didn't even take half the game for them to join this time. Jusis and Millium are super sweet together haha, they're basically siblings. Also nice to have Elise, George and Celine come over, it was interesting watching them theorize on what the black workshop could be up to (or play dumb in a certain someone's case). I have to say, back in CS2 I certainly didn't expect the black workshop to become this important, I'm really interested in what Ouroboros' other factories are like (I believe the only one we know is that doll factory in Crossbell?). They also don't see to believe that's actually Crow, which is honestly fair enough, I mean they were all at his funeral. Speaking of which I would've liked to see that... but at the same time maybe too emotional for me ;_;.
Rean's letters were interesting, it's good to know about his father's relationship with Osborne - I wonder what made him change so drastically. I'd really like to see Rean and Yun meet in person sometime, but I get the feeling that won't happen until Calvard. Aurelia teaching the girls how to seduce dense guys made me giggle. Great to finally be able to go to Ordis and the rest of that region, it was built up a lot in CS2 being the main base for the noble faction and all. I absolutely loved the design of the city, it looks gorgeous and definitely benefits from the new engine. Musse's grandfather is pretty funny (I wonder if she's actually blood-related to him?), and that scene where Musse remembers her parents at the beach was sad - I mean it doesn't tell you much, but it's rare to see Musse's genuine feelings. Actually I wonder how they died, I think it was mentioned there was a sea accident, but I wouldn't be surprised if there was something more nefarious going on. Jusis and Millium's entrance was cheesy as hell (that white house lol), I love it. Cayenne's uncle is a piece of poop, like can we have him flushed down the nearest toilet? Oh and Arianrhod appearing when they left the city was quite exciting.
Angelica appears! Raquel at day was pretty cool, it was great finally finding out about Ash's upbringing (aaaaand another dead mother). I was happy to see he has so many people supporting him, was kinda worried he was neglected. Also I started to suspect he was from Hamel after finding out his mother adopted him, though I had an even sillier theory on top of that which thankfully didn't become a thing lol. Poor Juna being the only one to recognize the info wasn't leading them to a trap, also I really like this chapter's focus on Jaegars, first time we've seen multiple groups fight together in the series I believe. Sara and Angelica's entrances were pretty hype, and yeah makes sense the purple group are from North Ambria, it's nice seeing Rean getting respected for saving tons of people in the war there after all the shit he gets thanks to father of the year's orders. I absolutely loved Raquel at night, Falcom completely nailed the difference in atmosphere between day/night in an entertainment district. The chase scene also has to be one of the funniest scenes in entire the series, it brings out the best comedic traits of all the characters involved - I was dying laughing the whole time (the music fits perfectly). Felt like a scene straight out of Gintama.
Claire is just far too kind-hearted, it's difficult to watch her try and take on so many burdens at once :(. I find it pretty interesting that Red Constellation have a business on the side for funding/legitimacy, it was a clever tactic in Ao and it's a clever tactic here. Mfw the Zephyr guys are messing around at the casino, talk about the easiest info hunt ever. Want some info, beat me at a children's card game - hmmm what does that remind me of? I love how insistent nc7 are when it comes to not letting Rean go off on his own, it was awesome seeing Ash and Musse take down Zeno and Leo. I also loved having a challenging blade battle of course. I hope you get to rematch Rudger without him hOlDinG bAcK™ in CS4.
Wow, Claire and Michael are cousins? I didn't expect that at all. I've been looking forward to finding out about Claire's backstory and connection to Riveldt for a while, but jeez that was heartbreaking. Having her whole family killed by her uncle, getting blackmailed by him, and then having her adopted family estrange her? That's completely awful! I don't think Claire was in the wrong here at all, so it's depressing seeing her blame herself. Also it's so sad she was seeing Rean as a replacement for her brother, all of this really tore at my heartstrings. I'm happy she decided to see Rean as his own person, and wew that was bold, +1 to the harem. Interesting to know why she has super brain powers too. It was awesome getting info about Calvard from Angelica, could the desertification in the east have something to do with Osborne/the gnomes messing with the septium veins? Or maybe something else entirely. And finally Sara's full backstory, I was thinking there might still be some left to tell. It's interesting to hear the reason she's into fancy older men, Sara had things pretty rough (I'm happy she had a supportive father though). Aaaand +1 to the harem again, even our dense as obsidian Rean can't misinterpret these. Also wtf, 90%?! May as well start chugging down petrol at that point Sara.
Millium going missing was worrying. Super exciting finally being able to go to Bryonia Island (wouldn't mind finding out about what all the other teams did in all the CS1 chapters tbh), and Lughman pops up with totally unsuspicious timing. Anyway I really like the atmosphere of the island, as well as the amount of variety in the areas there + cool ancient ruins. Ash half-admitting he's a tsundere was pretty funny. Not sure what Rose did here either, but I was super surprised to find out she was Emma's grandmother! Wait so is she even a vampire then, or is she both a vampire and a witch? What even is a vampire? I'm confused lol. Regardless, everyone teasing Rean about the bite mark was great, I love how much crap nc7 give Rean about his harem issues haha.
Altina saying she wants to save Millium was a really powerful moment, her VA did a fantastic job with those lines. So another one of the gnome shrines (forgot what this one was, space?), I wonder why they built those. I greatly appreciate that this one didn't make me slog through endless mundane puzzles, that was annoying in CS2. The battle against the Stahlritter was awesome, especially with all the combo moves. But damn, Arianrhod's appearance was pure hype - everyone was rightfully terrified of her. Hell Rean goes into battle with her expecting he might die, that was a bit depressing. Gaius jumping in to help was awesome - I thought I misunderstood Arianrhod's line when she mentions how powerful he is, but oh boy does that make sense in hindsight. Seigfried spouts off more cryptic nonsense, wtf did you do to best boy gnomes 😡
Rean finally finds out about Ash being connected to the intelligence division, his reaction to Ash thinking Aurelia would expel him because of that was hilarious. Aaaaand then we have Musse, I'm impressed Rean saw through her act. Seriously, thinking 10,000s of moves ahead, that's crazy - I though it was an exaggeration, but considering the endgame uhhhhhhhhh. Musse is such a fascinating character, I think she's my favourite member of nc7. I didn't expect things to go crazy that quickly, who needs alarm clocks when you have railway guns? There were a lot of awesome fights here, seeing Wallace go all out was pretty cool.
Aurelia's appearance and speech were both great moments, I love how she just oozes with charisma. Reclaiming a fortress back from Arianrhod has to be one of the hypest things ever, the music got me really pumped haha. Aurelia oneshotting a Cryptid was nuts, it never hit me how strong she actually was until that moment. Splitting the party into groups is a nice way of getting everyone involved, plus I couldn't believe Aurelia was actually playable, that's so cool! Nice to finally catch up to the flashforward, it's cool that you can kinda see Ordis from the distance. Cayenne's uncle being captured was satisfying (on top of Arianrhod scaring the living daylights out of him earlier lol), you tell him it like it is Juna. Sara's speech to the purple jaegars was powerful, I'm so happy she was able to stop them - can't wait to see this scene with Sara's amazing english va.
The confrontation at the end was definitely worth the hype, it was awesome having Arianrhod finally fight alongside the Stahlritter. Aurelia managing to make Arianrhod kneel was impressive (it's already very difficult to make her kneel in Ao, and that's with 4 people), also wow she's stronger than Lianne was 250 years ago, that's impressive. I have to admit, while I'd be lying if I said I didn't have any gripes with how Trails handles female characters, I absolutely love how many powerful women there are in this series. It's very rare to have a battle-focused series where the guys don't outclass the girls in terms of fighting prowess, doubly so for a jrpg, so I'm constantly blown away when characters like Ein/Arianrhod/Aurelia are introduced.
Moving on, Arianrhod has a divine knight?! That's overkill lol, at least that explains why she's still alive (?). Interesting that she never told the Stahlritter, I'm guessing she didn't want them to find out she's the living dead (? I really don't get how this revival thing works). Angelica knows something's up with Siegfried. Musse's identity finally gets revealed, and wow I suspected she was connected to Cayenne based on something she said near the beginning of the game (can't remember the exact line), but I didn't think she was actually a blood relative. That smug look she gave her great uncle was glorious, it was so cathartic seeing him dragged out kicking and screaming. Good to see the noble faction is finally in good hands.
The two girls seeing Ash off was sweet haha. Patrick and Jusis' reaction to Musse switching from planning genius mode to actress mode was pretty funny. I really would like to find out what's going on between Aurelia and Wallace, I get the incy wincy feeling they miiiiiight be more than just friends. Interesting to know Rose was the witch that guided Dreichels to Valimar, and also that him and Lianne were in love. I really do wonder what Arianrhod is trying to accomplish and what mission Dreichels gave her, there has to be a very good reason someone like her would join Ouroboros. 'The Great Twilight' gets its first mention, tbh I prefer the japanese names for that and The Great One, the way they roll off the tongue is mmmmm. And finally confirmation that the Stahlritter are a different group to the Einsritter, though I was surprised to hear how recently they were formed - didn't expect another connection to the cult either. It's interesting to see Duvalie starting to doubt Arianrhod, I did think they were setting something up when CS2 fleshed her out so much.
Aaaand I've hit the character limit. Didn't want to go over it, but I don't want to force my post to conform to it either, so I'll just continue in the comments (I hope that isn't too annoying).
submitted by Acromanic to Falcom [link] [comments]

Complete Turner Classic Movies daily schedule for the month of August, 2019. (USA-centric, Eastern Standard Time)

August is "Summer Under The Stars" month. Each 24-hour period is dedicated to the (limited) filmography of one classic star.
Thu, Aug 01, 2019 (Henry Fonda day)
(6:00 AM) That Certain Woman (1937/93m/Edmund Goulding)
(7:45 AM) The Mad Miss Manton (1938/80m/Leigh Jason)
(9:15 AM) Let Us Live (1939/68m/John Brahm)
(10:30 AM) Young Mr. Lincoln (1939/100m/John Ford)
(12:15 PM) The Long Night (1947/97m/Anatole Litvak)
(2:00 PM) The Fugitive (1947/100m/John Ford)
(3:45 PM) Mister Roberts (1955/121m/John Ford)
(6:00 PM) The Wrong Man (1956/105m/Alfred Hitchcock)
(8:00 PM) The Lady Eve (1941/94m/Preston Sturges)
(10:00 PM) 12 Angry Men (1957/96m/Sidney Lumet)
(12:00 AM) Yours, Mine and Ours (1968/111m/Melville Shavelson)
. (2:00 AM) The Grapes of Wrath (1940/129m/John Ford)
(4:30 AM) The Rounders (1965/84m/Burt Kennedy)
Friday, August 02, 2019 (Ruth Hussey day)
(6:00 AM) Rich Man, Poor Girl (1938/72m/Reinhold Schunzel)
(7:15 AM) Spring Madness (1938/67m/S. Sylvan Simon)
(8:30 AM) Within the Law (1939/65m/65m/Gustav Machaty)
(9:45 AM) Fast and Furious (1939/73m/Busby Berkeley)
(11:15 AM) H.M. Pulham, Esq. (1941/120m/King Vidor)
(1:15 PM) Pierre of the Plains (1942/66m/George B. Seitz)
(2:30 PM) Susan And God (1940/117m/George Cukor)
(4:30 PM) Tender Comrade (1943/101m/Edward Dmytryk)
(6:15 PM) The Facts of Life (1960/104m/Melvin Frank)
(8:00 PM) The Philadelphia Story (1940/112m/George Cukor)
(10:00 PM) The Uninvited (1944/99m/Lewis Allen)
(12:00 AM) Our Wife (1941/94m/John M. Stahl)
(2:00 AM) Married Bachelor (1941/81m/Edward Buzzell)
(3:30 AM) Blackmail (1939/81m/H.C. Potter)
(5:00 AM) Free and Easy (1941/56m/George Sidney)
Saturday, August 03, 2019 (Marlon Brando day)
(6:00 AM) Julius Caesar (1953/121m/Joseph L. Mankiewicz)
(8:00 AM) Reflections in a Golden Eye (1967/109m/John Huston)
(10:00 AM) The Fugitive Kind (1960/122m/Sidney Lumet)
(12:15 PM) Morituri (1965/123m/Bernhard Wicki)
(2:30 PM) Mutiny on the Bounty (1962/185m/Lewis Milestone)
(5:45 PM) A Streetcar Named Desire (1951)/125m/Elia Kazan)
(8:00 PM) On the Waterfront (1954/108m/Elia Kazan)
(10:00 PM) The Wild One (1953/79m/Laslo Benedek)
(11:30 PM) Guys and Dolls (1955/149m/Joseph L. Mankiewicz)
(2:15 AM) A Dry White Season (1989/107m/Euzhan Palcy)
(4:15 AM) The Freshman (1990/103m/Andrew Bergman)
Sunday, August 04, 2019 (Shirley Temple Day)
(6:00 AM) Adventure in Baltimore (1949/89m/Richard Wallace)
(7:30 AM) Honeymoon (1947/74m/William Keighley)
(9:00 AM) That Hagen Girl (1947/83m/Peter Godfrey)
(10:30 AM) Almost a Bride (1949/85m/Richard Wallace)
(12:15 PM) Kathleen (1941/88m/Harold S. Bucquet)
(2:00 PM) The Story Of Seabiscuit (1949/93m/David Butler)
(3:45 PM) Fort Apache (1948/128m/John Ford)
(6:00 PM) The Bachelor and the Bobby-Soxer (1947/95m/Irving Reis)
(8:00 PM) Rebecca of Sunnybrook Farm (1938/81m/Allan Dwan)
(9:30 PM) Wee Willie Winkie (1937100m/John Ford)
(11:30 PM) Susannah of the Mounties (1939/79m/William A. Seiter)
(1:00 AM) The Poor Little Rich Girl (1936/79m/Irving Cummings)
(2:30 AM) Heidi (1937/88m/Allan Dwan)
(4:15 AM) The Little Princess (1939/93m/Walter Lang)
Monday, August 05, 2019 (Melvyn Douglas day)
(6:00 AM) Arsene Lupin Returns (1938/81m/Geo. Fitzmaurice)
(7:30 AM) Fast Company (1938/75m/Edward Buzzell)
(9:00 AM) Tell No Tales (1939/69m/Leslie Fenton)
(10:30 AM) There's Always a Woman (1938/81m/Alexander Hall)
(12:00 PM) There's That Woman Again (1938/73m/Alexander Hall)
(1:30 PM) Mary Burns, Fugitive (1935/84m/William K. Howard)
(3:00 PM) The Shining Hour (1938/77m/Frank Borzage)
(4:30 PM) That Uncertain Feeling (1941/83m/Ernst Lubitsch)
(6:00 PM) A Woman's Face (1941/106m/George Cukor)
(8:00 PM) Ninotchka (1939/110m/Ernst Lubitsch)
(10:00 PM) I Met Him in Paris (1937/87m/Wesley Ruggles)
(11:45 PM) Third Finger, Left Hand (1940/97m/Robert Z. Leonard)
(1:30 AM) I Never Sang for My Father (1970/92m/Gilbert Cates)
(3:30 AM) Being There (1979/130m/Hal Ashby)
Tuesday, August 06, 2019 (Lena Horne Day)
(6:00 AM) Swing Fever (1943/81m/Tim Whelan)
(7:30 AM) Studio Visit (1946/10m/?)
(7:45 AM) Panama Hattie (1942/79m/Norman Z. McLeod)
(9:30 AM) I Dood It (1943/102m/Vincente Minnelli)
(11:30 AM) Duchess of Idaho (1950/98m/Robert Z. Leonard)
(1:30 PM) Two Girls and a Sailor (1944/124m/Richard Thorpe)
(3:45 PM) Ziegfeld Follies (1946/110m/Vincente Minnelli)
(5:45 PM) Words and Music (1948/121m/Norman Taurog)
(8:00 PM) Stormy Weather (1943/78m/Andrew Stone)
(9:30 PM) The Duke Is Tops (1938/73m/William Nolte)
(11:00 PM) Cabin in the Sky (1943/99m/Vincente Minnelli)
(1:00 AM) Broadway Rhythm (1944/115m/Roy Del Ruth)
(3:15 AM) Till the Clouds Roll By (1946/135m/Richard Whorf)
Wednesday, August 07, 2019 (James Stewart day)
(6:00 AM) After the Thin Man (1936/112m/W. S. Van Dyke)
(8:00 AM) No Time for Comedy (1940/93m/William Keighley)
(10:00 AM) The Stratton Story (1949/106m/Sam Wood)
(12:00 PM) The Naked Spur (1953/92m/Anthony Mann)
(2:00 PM) The Man From Laramie (1955/102m/Anthony Mann)
(4:00 PM) The Mortal Storm (1940/100m/Frank Borzage)
(6:00 PM) The Shop Around the Corner (1940/99m/Ernst Lubitsch)
(8:00 PM) Harvey (1950/104m/Henry Koster)
(10:00 PM) Anatomy Of A Murder (1959/161m/Otto Preminger)
(1:00 AM) The Spirit of St. Louis (1957/135m/Billy Wilder)
(3:30 AM) Mr. Smith Goes to Washington (1939/130m/Frank Capra)
Thursday, August 08, 2019 (Ava Gardner day)
(6:00 AM) The Bribe (1949/98m/Robert Z. Leonard)
(8:00 AM) The Great Sinner (1949/110m/Robert Siodmak)
(10:00 AM) Show Boat (1951/108m/George Sidney)
(12:00 PM) Ride, Vaquero! (1953/90m/John Farrow)
(2:00 PM) Mogambo (1953/116m/John Ford)
(4:00 PM) Knights of the Round Table (1953/116m/Richard Thorpe)
(6:00 PM) Bhowani Junction (1956/110m/George Cukor)
(8:00 PM) Ava Gardner, the Gipsy of Hollywood (2017/52m/Sergio Mondelo)
(9:15 PM) The Killers (1946/102m/Robert Siodmak)
(11:15 PM) Pandora and the Flying Dutchman (1951/124m/Albert Lewin)
(1:30 AM) The Barefoot Contessa (1954/130m/Joseph L. Mankiewicz)
(4:00 AM) The Angel Wore Red (1960/99m/Nunnally Johnson)
Friday, August 09, 2019 (Red Skelton day)
(6:00 AM) Merton Of The Movies (1947/82m/Robert Alton)
(7:30 AM) The Great Diamond Robbery (1953/69m/Robert Z. Leonard)
(8:45 AM) The Show-Off (1946/83m//Harry Beaumont)
(10:15 AM) Watch the Birdie (1951/71m/Jack Donohue)
(11:30 AM) A Southern Yankee (1948/91m/Edward Sedgwick)
(1:15 PM) Ship Ahoy (1942/95m/Edward Buzzell)
(3:00 PM) Texas Carnival (1951/77m/Charles Walters)
(4:30 PM) Bathing Beauty (1944/101m/George Sidney)
(6:15 PM) Neptune's Daughter (1949/93m/Edward Buzzell)
(8:00 PM) Whistling In The Dark (1941/78m/S. Sylvan Simon)
(9:30 PM) Whistling in Dixie (1942/74m/S. Sylvan Simon)
(11:00 PM) Whistling In Brooklyn (1943/87m/S. Sylvan Simon)
(12:30 AM) The Yellow Cab Man (1950/84m/Jack Donohue)
(2:15 AM) Du Barry Was a Lady (1943/101m/Roy Del Ruth)
(4:15 AM) The Clown (1953/91m/Robert Z. Leonard)
Saturday, August 10, 2019 (Rita Moreno day)
(6:00 AM) The Toast of New Orleans (1950/97m/Norman Taurog)
(8:00 AM) Singin' in the Rain (1952/103m/Gene Kelly)
(10:00 AM) Latin Lovers (1953/104m/Mervyn Le Roy)
(12:00 PM) Fort Vengeance (1953/75m/Lesley Selander)
(1:45 PM) Seven Cities of Gold (1955/103m/Robert D. Webb)
(3:45 PM) The Lieutenant Wore Skirts (1956/99m/Frank Tashlin)
(5:45 PM) Summer and Smoke (1961/118m/Peter Glenville)
(8:00 PM) Popi (1969/113m/Arthur Hiller)
(10:00 PM) West Side Story (1961/154m/Robert Wise)
(12:45 AM) The Ritz (1976/91m/Richard Lester)
(2:30 AM) Marlowe (1969/96m/Paul Bogart)
(4:15 AM) Carnal Knowledge (1971/98m/Mike Nichols)
Sunday, August 11, 2019 (Humphrey Bogart day)
(6:00 AM) The Petrified Forest (1936/82m/Archie L. Mayo)
(7:30 AM) All Through the Night (1942/107m/Vincent Sherman)
(9:30 AM) Action in the North Atlantic (1943/127m/Lloyd Bacon)
(12:00 PM) Passage to Marseille (1944/109m/Michael Curtiz)
(2:00 PM) The Big Sleep (1946/114m/Howard Hawks)
(4:00 PM) The Treasure of the Sierra Madre (1948/126m/John Huston)
(6:15 PM) In a Lonely Place (1950/93/Nicholas Ray)
(8:00 PM) The African Queen (1951/105m/John Huston)
(10:00 PM) The Caine Mutiny (1954/125m/Edward Dmytryk)
(12:15 AM) Dark Passage (1947/106m/Delmer Daves)
(2:15 AM) They Drive by Night (1940/95m/Raoul Walsh)
(4:00 AM) High Sierra (1941/100m/Raoul Walsh)
Monday, August 12, 2019 (Ann Sothern day)
(6:00 AM) Walking on Air (1936/70m/Joseph Santley)
(7:30 AM) There Goes My Girl (1937/74m/Ben Holmes)
(9:00 AM) Maisie (1939/75m/Edwin L. Marin)
(10:30 AM) Congo Maisie (1940/71m/Henry C. Potter)
(12:00 PM) Gold Rush Maisie (1940/82m/Edwin L. Marin)
(1:30 PM) Maisie Was a Lady (1941/79m/Edwin L. Marin)
(3:00 PM) Ringside Maisie (1941/95m/Edwin L. Marin)
(5:00 PM) Shadow on the Wall (1950/84m/Patrick Jackson)
(6:30 PM) The Blue Gardenia (1953/88m/Fritz Lang)
(8:00 PM) A Letter to Three Wives (1948/103m/Joseph L. Mankiewicz)
(10:00 PM) Cry 'Havoc' (1944/97m/Richard Thorpe)
(12:00 AM) The Whales of August (1987/91m/Lindsay Anderson)
(2:00 AM) Nancy Goes To Rio (1950/100m/Robert Z. Leonard)
(4:00 AM) April Showers (1948/94m/James V. Kern)
Tuesday, August 13, 2019 (Brian Donlevy day)
(6:00 AM) Another Face (1935/69m/Christy Cabanne)
(7:15 AM) Barbary Coast (1935/90m/Howard Hawks)
(9:00 AM) Billy the Kid (1941/94m/David Miller)
(10:45 AM) An American Romance (1944/121m/King Vidor)
(1:00 PM) The Beginning or the End (1947/112m/Norman Taurog)
(3:00 PM) Impact (1949/111m/Arthur Lubin)
(5:00 PM) A Cry in the Night (1956/75m/Frank Tuttle)
(6:30 PM) The Quatermass Xperiment (1956/82m/Val Guest)
(8:00 PM) The Great Mcginty (1940/82m/Preston Sturges)
(9:30 PM) Beau Geste (1939/113m/William A. Wellman)
(11:45 PM) The Glass Key (1942/85m/Stuart Heisler)
1:30 AM) Hangmen Also Die (1943/136m/Fritz Lang)
(4:00 AM) Heaven Only Knows (1947/98m/Albert S. Rogell)
Wednesday August 14, 2019 (Liv Ullmann day)
(6:00 AM) The Night Visitor (1971/102m/Laslo Benedek)
(7:45 AM) Lost Horizon (1972/138m/Russ Saunders)
(10:15 AM) The Abdication (1974/103m/Anthony Harvey)
(12:00 PM) Zandy's Bride (1974/97m/Jan Troell)
(2:00 PM) The Emigrants (1971/151m/Jan Troell)
(4:30 PM) The New Land (1973/204m/Jan Troell)
(8:00 PM) Liv & Ingmar (2012/85m/Dheeraj Akolkar)
(9:45 PM) Autumn Sonata (1978/94m/Ingmar Bergman)
(11:30 PM) Hour of the Wolf (1968/88m/Ingmar Bergman)
(1:15 AM) Persona (1967/83m/Ingmar Bergman)
(3:00 AM) Scenes From A Marriage (1973/170m/Ingmar Bergman)
Thursday, August 15, 2019 (Rod Steiger day)
(6:00 AM) Teresa (1951/102m/Fred Zinnemann)
(8:00 AM) Cry Terror! (1958/96m/Andrew L. Stone)
(9:45 AM) The Loved One (1965/121m/Tony Richardson)
(12:00 PM) The Unholy Wife (1957/94m/John Farrow)
(2:00 PM) Back From Eternity (1956/97m/John Farrow)
(4:00 PM) The Sergeant (1968/108m/John Flynn)
(6:00 PM) Al Capone (1959)/104m/Richard Wilson)
(8:00 PM) In the Heat of the Night (1967/110m/Norman Jewison)
(10:00 PM) A Fistful of Dynamite (1972/153m/Sergio Leone)
(12:30 AM) The Big Knife (1955/109m/Robert Aldrich)
(2:30 AM) The Harder They Fall (1956/109m/Mark Robson)
(4:30 AM) Run Of The Arrow (1957/86m/Samuel Fuller)
Friday, August 16, 2019 (Irene Dunn day)
(6:00 AM) Ann Vickers (1933/76m/John Cromwell)
(7:30 AM) The Age of Innocence (1934/81m/Philip Moeller)
(9:00 AM) If I Were Free (1934/66m/Elliott Nugent)
(10:15 AM) Sweet Adeline (1935/87m/Mervyn Le Roy)
(12:00 PM) Show Boat (1936/114m/James Whale)
(2:00 PM) Joy of Living (1938/91m/Tay Garnett)
(4:00 PM) Love Affair (1939/88m/Leo McCarey)
(5:45 PM) Penny Serenade (1941/120m/George Stevens)
(8:00 PM) The Awful Truth (1937/91m/Leo McCarey)
(9:45 PM) I Remember Mama (1948/134m/George Stevens)
(12:15 AM) When Tomorrow Comes (1939/92m/John M. Stahl)
(2:00 AM) High, Wide, And Handsome (1937/104m/Rouben Mamoulian)
(4:00 AM) Over 21 (1945/105m/Charles Vidor)
Saturday August 17, 2019 (Errol Flynn day)
(6:00 AM) Footsteps in the Dark (1941/96m/Lloyd Bacon)
(8:00 AM) Northern Pursuit (1943/93m/Raoul Walsh)
(10:00 AM) The Master of Ballantrae (1953/89m/William Keighley)
(11:45 AM) The Sea Hawk (1940/128m/Michael Curtiz)
(2:00 PM) The Adventures of Robin Hood (1938/102m/Michael Curtiz)
(4:00 PM) The Private Lives of Elizabeth and Essex (1939/106m/Michael Curtiz)
(6:00 PM) Santa Fe Trail (1940/110m/Michael Curtiz)
(8:00 PM) Captain Blood (1935/119m/Michael Curtiz)
(10:15 PM) Gentleman Jim (1942/104m/Raoul Walsh)
(12:15 AM) The Dawn Patrol (1938/103m/Edmund Goulding)
(2:15 AM) Dodge City (1939/104m/Michael Curtiz)
(4:15 AM) Cry Wolf (1947/84m/Peter Godfrey)
Sunday, August 18, 2019 (Audrey Hepburn day)
(6:00 AM) Robin and Marian (1976/107m/Richard Lester)
(8:00 AM) Green Mansions (1959/104m/Mel Ferrer)
(9:45 AM) The Nun's Story (1959/152m/Fred Zinnemann)
(12:30 PM) The Children's Hour (1961/108m/William Wyler)
(2:30 PM) Love in the Afternoon (1957/130m/Billy Wilder)
(5:00 PM) My Fair Lady (1964/173m/George Cukor)
(8:00 PM) Sabrina (1954/114m/Billy Wilder)
(10:00 PM) Funny Face (1957/103m/Stanley Donen)
(12:00 AM) Charade (1963/113m/Stanley Donen)
(2:00 AM) Paris When It Sizzles (1963/110m/Richard Quine)
(4:00 AM) Wait Until Dark (1967/108m/Terence Young)
Monday, August 19, 2019 (Buster Keaton day)
(6:00 AM) Battling Butler (1926/78m/Buster Keaton)
(7:30 AM) Cameraman (1928/75m/Edward Sedgwick)
(9:00 AM) Spite Marriage (1929/76m/Edward Sedgwick)
(10:30 AM) Doughboys (1930/80m/Edward Sedgwick)
(12:00 PM) Parlor, Bedroom and Bath (1931/73m/Edward Sedgwick)
(1:15 PM) Sidewalks of New York (1931/74m/Jules White)
(2:30 PM) The Passionate Plumber (1932)/74m/Edward Sedgwick)
(4:00 PM) In the Good Old Summertime (1949/103m/Robert Z. Leonard)
(6:00 PM) How to Stuff a Wild Bikini (1965/93m/William Asher)
(8:00 PM) The Great Buster: A Celebration (2018/101m/Peter Bogdanovich)
(10:00 PM) The General (1927/79m/Buster Keaton)
(11:30 PM) Sherlock Jr. (1924/45m/Buster Keaton)
(12:30 AM) The Great Buster: A Celebration (2018/101m/Peter Bogdanovich)
(2:30 AM) Seven Chances (1925/57m/Buster Keaton)
(3:45 AM) Steamboat Bill Jr. (1928/71m/Charles F. Reisner)
(5:00 AM) The Navigator (1924/66m/Donald Crisp)
Tuesday, August 20, 2019 (Dorothy McGuire day)
(6:00 AM) Trial (1955/109m/Mark Robson)
(8:00 AM) Flight of the Doves (1971/101m/Ralph Nelson)
(10:00 AM) Till The End of Time (1946/105m/Edward Dmytryk)
(12:00 PM) The Enchanted Cottage (1945/92m/John Cromwell)
(2:00 PM) Gentleman's Agreement (1947/118m/Elia Kazan)
(4:00 PM) Mother Didn't Tell Me (1950/88m/Claude Binyon)
(5:45 PM) Susan Slade (1961/116m/Delmer Daves)
(8:00 PM) A Summer Place (1959/130m/Delmer Daves)
(10:30 PM) A Tree Grows in Brooklyn (1945/129m/Elia Kazan)
(12:45 AM) Friendly Persuasion (1956/138m/William Wyler)
(3:00 AM) Invitation (1952/85m/Gottfried Reinhardt)
(4:30 AM) Callaway Went Thataway (1951/82m/Norman Panama)
Wednesday, August 21, 2019 (Joel McCrea day)
(6:00 AM) The Most Dangerous Game (1932/63m/Ernest B. Schoedsack)
(7:15 AM) Bed of Roses (1933/67m/Gregory LaCava)
(8:45 AM) Gambling Lady (1934/66m/Archie Mayo)
(10:00 AM) The Richest Girl in the World (1934/76m//William A. Seiter)
(11:30 AM) Dead End (1937/92m/William Wyler)
(1:15 PM) Primrose Path (1940/93m/Gregory La Cava)
(3:00 PM) Wichita (1955/81m/Jacques Tourneur)
(4:30 PM) Colorado Territory (1949/94m/Raoul Walsh)
(6:30 PM) The Palm Beach Story (1942/88m/Preston Sturges)
(8:00 PM) Sullivan's Travels (1942/91m/Preston Sturges)
(9:45 PM) The More the Merrier (1943/104m/George Stevens)
(11:45 PM) Union Pacific (1939/135m/Cecil B. De Mille)
(2:15 AM) Ride the High Country (1962/94m/Sam Peckinpah)
(4:15 AM) Stars in My Crown (1950/89m/Jacques Tourneur)
Thursday, August 22, 2019 (Leila Hyams day)
(6:00 AM) The Idle Rich (1929/80m/William C. de Mille)
(7:30 AM) The Bishop Murder Case (1930/87m/Nick Grindé)
(9:00 AM) The Girl Said No (1930/91m/Sam Wood)
(10:45 AM) Sins of the Children (1930/86m/Sam Wood)
(12:15 PM) Way For A Sailor (1930/85m/Sam Wood)
(1:45 PM) Gentleman's Fate (1931/93m/Mervyn Le Roy)
(3:30 PM) Men Call It Love (1931/72m/Edgar Selwyn)
(5:00 PM) Stepping Out (1931/74m/Charles F. Reisner)
(6:30 PM) Red-Headed Woman (1932/79m/Jack Conway)
(8:00 PM) Freaks (1932/62m/Tod Browning)
(9:15 PM) The Thirteenth Chair (1929/73m/Tod Browning)
(10:45 PM) Way Out West (1930/70m/Fred Niblo)
(12:15 AM) The Big House (1930/87m/George Hill)
(2:00 AM) Island of Lost Souls (1932/70m/Erle C. Kenton)
(3:30 AM) The Phantom of Paris (1931/74m/John S. Robertson)
(4:45 AM) Yellow Dust (1936/69m/Wallace Fox)
Friday, August 23, 2019 (Fred Astaire day)
(6:00 AM) A Damsel In Distress (1937/101m/George Stevens)
(8:00 AM) Broadway Melody Of 1940 (1940/102m/Norman Taurog)
(10:00 AM) You Were Never Lovelier (1942/97m/William A. Seiter)
(12:00 PM) Easter Parade (1948/103m/Charles Walters)
(2:00 PM) Three Little Words (1950/102m/
(4:00 PM) Royal Wedding (1951/93m/Stanley Donen)
(6:00 PM) The Band Wagon (1953/112m/Vincente Minnelli)
(8:00 PM) Top Hat (1935/100m/Mark Sandrich)
(10:00 PM) Swing Time (1936/104m/George Stevens)
(12:00 AM) The Gay Divorcee (1934/105m/Mark Sandrich)
(2:00 AM) Follow the Fleet (1936/110m/Mark Sandrich)
(4:00 AM) Roberta (1935/106m/William A. Seiter)
Saturday, August 24, 2019 (Shirley MacLaine day)
(6:00 AM) The Sheepman (1958/86m/George Marshall)
(7:30 AM) Two Loves (1961/97m/Charles Walters)
(9:30 AM) Woman Times Seven (1967/101m/Vittorio De Sica)
(11:30 AM) Two For The Seesaw (1962/119m/Robert Wise)
(1:30 PM) The Trouble with Harry (1955/99m/Alfred Hitchcock)
(3:30 PM) Some Came Running (1958/136m/Vincente Minnelli)
(6:00 PM) Gambit (1967/108m/Ronald Neame)
(8:00 PM) Terms of Endearment (1983/132m/James L. Brooks)
(10:30 PM) Steel Magnolias (1989/118m/Herbert Ross)
(12:45 AM) Sweet Charity (1969/148m/Bob Fosse)
(3:30 AM) The Yellow Rolls-Royce (1964/123m/Anthony Asquith)
Sunday, August 25, 2019 (Dustin Hoffman day)
(6:00 AM) The Tiger Makes Out (1967/95m/Arthur Hiller)
(7:45 AM) Hero (1992/118m/Stephen Frears)
(9:45 AM) Death of a Salesman (1985/136m/Volker Schlöndorff)
(12:15 PM) Hook (1991/142m/Steven Spielberg)
(2:45 PM) Papillon (1973/151m/Franklin J. Schaffner)
(5:30 PM) Tootsie (1982/116m/Sydney Pollack)
(8:00 PM) The Graduate (1967/106m/Mike Nichols)
(10:00 PM) Marathon Man (1976/125m/John Schlesinger)
(12:15 AM) Midnight Cowboy (1969/113m/John Schlesinger)
(2:15 AM) Straight Time (1978/114m/Ulu Grosbard)
(4:15 AM) Agatha (1979/98m/Michael Apted)
Monday, August 26, 2019 (Mary Astor day)
(6:00 AM) Beau Brummel (1924/128m/Harry Beaumont)
(8:15 AM) The Runaway Bride (1930/66m/Donald Crisp)
(9:45 AM) Behind Office Doors (1931/82m/Melville Brown)
(11:15 AM) Smart Woman (1931/68m/Gregory La Cava)
(12:30 PM) Successful Calamity (1932/72m//John G. Adolfi)
(2:00 PM) Red Dust (1932/83m/Victor Fleming)
(3:30 PM) The Little Giant (1933/76m/Roy Del Ruth)
(5:00 PM) Case of the Howling Dog (1934/74m/Alan Crosland)
(6:30 PM) Paradise For Three (1938/78m/Edward Buzzell)
(8:00 PM) The Maltese Falcon (1941/100m/John Huston)
(10:00 PM) Dodsworth (1936/101m/William Wyler)
(12:00 AM) The Great Lie (1941/108m/Edmund Goulding)
(2:00 AM) Return to Peyton Place (1961/122m/Jose Ferrer)
(4:15 AM) A Kiss Before Dying (1956/95m/Gerd Oswald))
Tuesday, August 27, 2019 (Walter Brennan day)
(6:00 AM) Three Godfathers (1936/81m/Richard Boleslawski)
(7:30 AM) Come And Get It (1936/99m/Howard Hawks)
(9:45 AM) Northwest Passage (1940/127m/King Vidor)
(12:00 PM) Nobody Lives Forever (1946/100m/Jean Negulesco)
(2:00 PM) The Green Promise (1949/81m/William D. Russell)
(3:30 PM) Good-Bye, My Lady (1956/95m/William A. Wellman)
(5:30 PM) Rio Bravo (1959/141m/Howard Hawks)
(8:00 PM) The Westerner (1940/100m/William Wyler)
(10:00 PM) Home in Indiana (1944/104m/Henry Hathaway)
(12:00 AM) To Have and Have Not (1944/100m/Howard Hawks)
(2:00 AM) Sergeant York (1941/134m/Howard Hawks)
(4:30 AM) Blood On The Moon (1948/88m/Robert Wise)
Wednesday, August 28, 2019 (June Allyson day)
(6:00 AM) The Knight Is Young (1938/20m/Roy Mack)
(6:30 AM) High Barbaree (1947/91m/Jack Conway)
(8:15 AM) Little Women (1949/122m/Mervyn Le Roy)
(10:30 AM) Reformer and the Redhead (1950/90m/Norman Panama)
(12:15 PM) Right Cross (1950/90m/John Sturges)
(2:00 PM) The Girl In White (1952/93m/John Sturges)
(4:00 PM) Executive Suite (1954/105m/Robert Wise)
(6:00 PM) The Opposite Sex (1956/116m/David Miller)
(8:00 PM) Good News (1947/93m/Charles Walters)
(10:00 PM) Two Sisters From Boston (1946/112m/Henry Koster)
(12:00 AM) Too Young to Kiss (1951/89m/Robert Z. Leonard)
(2:00 AM) The Bride Goes Wild (1948/98m/Norman Taurog)
(4:00 AM) Sailor Takes a Wife (1945/91m/Richard Whorf)
Thursday, August 29, 2019 (Paul Lukas day)
(6:00 AM) Strictly Dishonorable (1931/92m/John M. Stahl)
(8:00 AM) Downstairs (1932/77m/Monta Bell)
(9:30 AM) I Found Stella Parish 1935/85m/Mervyn Le Roy)
(11:00 AM) The Casino Murder Case (1935/82m/Edwin L. Marin)
(12:30 PM) Captain Fury (1939/92m/Hal Roach)
(2:30 PM) Confessions of a Nazi Spy (1939/104/Anatole Litvak)
(4:30 PM) Uncertain Glory (1944/102m/Raoul Walsh)
(6:30 PM) Deadline at Dawn (1946/83m/Harold Clurman)
(8:00 PM) Watch on the Rhine (1943/112m/Herman Shumlin)
(10:00 PM) The Lady Vanishes (1938/96m/Alfred Hitchcock)
(12:00 AM) Experiment Perilous (1944/91m/Jacques Tourneur)
(2:00 AM) Three Musketeers (1935/96m/Rowland V. Lee)
(4:00 AM) Little Women (1933/115m/George Cukor)
Friday, August 30, 2019 (Susan Hayward day)
(6:00 AM) I Thank a Fool (1962/100m/Robert Stevens)
(8:00 AM) The Honey Pot (1967/132m/Joseph L. Mankiewicz)
(10:30 AM) Stolen Hours (1963/97m/Daniel Petrie)
(12:30 PM) Ada (1961/108m/Daniel Mann)
(2:30 PM) They Won’t Believe Me (1947/80 m/Irving Pichel)
(4:00 PM) The Lusty Men (1952/113m/Nicholas Ray)
(6:00 PM) My Foolish Heart (1949/99m/Mark Robson)
(8:00 PM) I'll Cry Tomorrow (1955/119m/Daniel Mann)
(10:15 PM) House of Strangers (1949/101m/Joseph L. Mankiewicz)
(12:15 AM) With a Song in My Heart (1952/117m/Walter Lang)
(2:30 AM) Smash-Up, the Story of a Woman (1947/103m/Stuart Heisler)
(4:45 AM) Girls on Probation (1938/64m/William McGann)
Saturday, August 31, 2019 (Kirk Douglas day)
(6:00 AM) The Strange Love of Martha Ivers (1946/115m/Lewis Milestone)
(8:00 AM) Young Man with a Horn (1950/112m/Michael Curtiz)
(10:00 AM) Along the Great Divide (1951/88m/Raoul Walsh)
(11:30 AM) The Big Sky (1952/138m/Howard Hawks)
(2:00 PM) The Bad and the Beautiful (1952/118m/Vincente Minnelli)
(4:00 PM) Lust for Life (1956/122m/Vincente Minnelli)
(6:15 PM) Town Without Pity (1962/103m/Gottfried Reinhardt)
(8:00 PM) Spartacus (1960/197m/Stanley Kubrick)
(11:30 PM) The Vikings (1958/116m/Richard Fleischer)
(1:30 AM) Gunfight at the O.K. Corral (1957/123m/John Sturges)
(3:45 AM) There Was a Crooked Man (1970/123m/Joseph L. Mankiewicz)
submitted by tombstoneshadows28 to movies [link] [comments]

The Florida School For Boys (Part Five)

PART ONE || PART TWO || PART THREE ||PART FOUR

They say that your life flashes before your eyes when you die. I was hyped for my movie to start, but I ain’t got that kinda luck. No sir. If I were to walk into a casino with nothing more than the clothes on my back, I’d walk out naked. That’s how unlucky I am. I heard Tidwell take a long sucking pull from his cigarette, and then the ember flew over my shoulder and the butt landed on the ground in front of me. The rising smoke was damn near still compared to my heart. This is what a heart attack feels like, I thought, smelling burnt toast. Then, a piece of metal donged against a rock beside me, making me leap in fright. I jumped over a shovel. I turned to Tidwell, confused.
“Dig,” he said.
“Where?”
He pointed with his chin and I turned to the filter of the cigarette smoldering under the leaves and broken branches. I gingerly bent down and picked up the shovel.
“Atta boy,” he said, pulling another smoke from his pack.
I stabbed through the cigarette, pretending it was Tidwell’s tongue. He was just fuckin’ with my emotions at this point. He lit his next cigarette and blew a cloud of smoke at me. Diggin’ my own grave. Hasn’t it been that way since birth? Shit. My body was broken from the twelve hours of manual labor we endured earlier, so I was surprised I was able to lift the shovel once it scooped up some dirt. It was probably because I was numb with fear. I wasn’t digging. I wasn’t there. I clocked out, boy, I tell you. There’s some jobs where there’s only one way of getting through ‘em. Keep your head down, mouth shut, and mind off. Get 'er done and get out. I dug about as far as I could without falling in.
“Deeper,” he said with the smoke pinched between his lips.
“I can’t,” I stammered. “I’d have to—”
Dig deeper.”
I leaned over the edge of the hole and could only see deathly darkness down below. I didn’t want to go. I wasn’t ready.
“Go on then. Get down there.”
He kicked me in the side and I went tumbling. I had a bad trip down nightmare lane. I thought I’d fall forever like in my dreams. Hell, this musta been the worst kinda bad dream ‘cause the shit was real. As I fell, I prepared for the inevitable but instead of connecting with the corners of the steps, I hit the muddy bottom of the pit. I scrambled to my feet. I was caked in mud and stood in a hole about as deep as my belly button.
“Don’t stop till you reach your shoulders.”
I did as I was told. Soon I was standing in a puddle of water, and I thought back to my old life. My ma used to take me to the beach. She’d hand me a plastic shovel and tell me to dig a hole to China, I always wanted to see the other side of the world. It was exhilarating whenever I struck water. I thought I was close. Heh. The fucked up thing is I missed her in that moment — while also hating her for preparing me for this moment. Humans are conflicted, damaged things. We love and hate all at the same damn time. She was a bitch for what she did — but I loved her even if she’d never love me. Shiit, you can strike that from the record if you want. I’ve gone soft.
Down in this hole of my own doing, I was easy pickin’s. All he’d have to do was put a bullet in my head and most of the job would already be done. All he’d have to do it kick the dirt over me. I started praying to god, and I didn’t even like god. He’d been a real asshole. But, I figured if there was a time to make amends, now’d be it. Don’t god take in all kinds of sinners?
I’d gotten to my arm pits and couldn’t lift no more mud. I was done. My body crashed hard. I looked over and Tidwell was gone. The crickets buzzed in my head, the toads croaked, and my throat choked. I heard a faraway clunk and turned to see Mr. Tidwell fiddling around in the trunk. I didn’t even realize he was gone — I was too caught up in my feelings. Survivors never get caught up. They don’t feel. They react. Did I miss my chance? No, his head was still down. I clawed at the mud but slipped on the edge of the hole. I tried to kick and crawl but couldn’t gain ground. He was going to hear me. I frantically looked back to the car and Tidwell was still hunched over. I grabbed at the roots and lifted myself up. I was able to get an arm up and grab ahold of an above ground root. I dug my right foot into the dirt to create a pocket and began lifting myself up.
My ears popped as the explosion of a gun shot rattled my heart. A bullet whizzed by my ear and ricocheted off a near tree. The mud collapsed under the weight of my foot and the root I held ripped up from the earth and snapped. I fell again, this time into a watery grave. I nearly drowned in shock, swallowing water and choking on it — unable to catch my breath. I heard Tidwell’s shuffle. Clumps of dirt plopped into the water at my feet. He was holding the rifle at his side, the barrel cocked towards me.
I heard sections of Tidwell’s voice break through the ringing in my ears, “What in— hell— you think— doin'—”
“I— I’m sorry,” I begged. “I’m sorry. I won’t do it again. I swear.”
“Shut up boy,” he growled.
“P— Pl— Please. Please, Mr. Tidwell. I— I won’t do it again. I swear. I’ll be good.”
He stared at me from under a veil of blackness. A warmth spread through my shorts. There I was, pissing myself again. Just get it over with why don’t you? He just stood there with the rifle in his hand like a fuckin' idiot. A crazy, psycho, lunatic idiot. Was I supposed to pray to him? Worship him? Suck his dick? What the fuck did he want from me?
“Now this is what you’re gonna do,” he grumbled. “You’ll never speak of this again. It never happened. Ya hear? You speak about this to anyone and I’ll have you dig another one — yours.”
I gulped, “Y— Yessir.”
“Good,” he threw the rifle’s strap over his free shoulder and extended his only hand. I stared at it, disbelieving, repulsed. I couldn’t bring myself to touch it. The closer I got to reaching for his lifeline, the harder the fist clenched down on my heart. The deeper it sunk.
“Going once.”
Goddamnit. There’s no way for me to wrap my head around— What the fuck is wrong with people? Huh? I— Who does this sorta shit? Who? Why? How does a man like Tidwell get the chance to do this to anyone? Huh?! Who gave that piece of shit the power to— That disgusting fuckin’ hand. Who gave that hand power? I wanna know! There’s no way I could touch that thing. Who knows how many dead bodies that palm has buried? And what the fuck happened to his other hand? Huh? God, I’d love to hear that story. Whatever happened, I hope it hurt like hell. I hope he cried out and begged for mercy. I hope he strained his vocal cords and felt the ache and devastation of failure spread throughout his veins.
“Going twice.”
I could kill him. He wasn’t invincible. He has one arm for god’s sake. He was strong but slow. I could get the rifle — but I’d never used one before so I’d probably just seal my fate. If I had something to stab him with I could go for his throat. I’d stab him a hundred times before he could react. All I had was the shovel — which I didn’t have the strength to wield. The surge of adrenaline was nice and all — but I couldn’t get in a feat of strength with nothing left in the tank. I had to be smart. I had to play my cards right. My time would come. I’d get my chance.
I took his grimy, nasty ass hand and he ripped me upwards, popping my shoulder outta place. I was airborne for a second before landing on a buncha Cypress knees. Those fuckers jabbed my rib cage like ice picks. I rolled to flat ground and groaned — a pitiful mess. I kept thinking — this has to be the lowest point of my life. It couldn’t possibly get worse. Ha! That’s that bullshit.
“Go on back. Clean up. Go to sleep. Forget this ever happened.”
I must’ve went on back, cleaned up, and went to sleep. Miraculously. I was shot, boy. There was no way fear could get the better of my exhaustion. My demons took the night off. It was a sweet, dreamless sleep. If I had a dream, I didn’t remember it when I woke up. I didn’t even remember ever walking back to the dorm or showering. Yet, here I was. Alive. Yay. I felt numb to the world when I awoke. The sun was bright but my view was dark.
I went to take my morning piss when I walked in on Jackson looking at his rear in the mirror. Surprise, surprise. He was trying to pull his underwear out of his ass. The fabric was embedded in his mangled skin. He was having a tough go at it. He looked at me with disgust and anger. Vengeance flashed in his eyes. Shit. I thought that motherfucker was dead. I was kinda hoping the grave was for him to tell you the truth. It would’ve been easier for everybody. But noo, nothing in life is easy. No, this was gonna get worse. My life was gonna reach the seventh level of hell. I already knew the deal.
Another long day of shoveling. No water. Hundred degrees, hundred percent humidity. It was brutal. My muscles didn’t work and I was cursed at and spit on relentlessly. There was nothing I could do. They expected the world from me but I had nothing left to give. They already took the rest. That didn’t matter to them. They didn’t care about us. We were nothing to them. I mean, what were we really doing? We kept the place running but we were disposable. One died? Great, Florida is full of fuck ups. Go collar another kid and repeat. That’s it. The brass and nuts about it. Why though? What purpose did it serve? Why did this place even exist? It would be better if it never had. The earth was in a perfectly imperfect balance before humans started thinking they were special. We went and fucked it all up.
If I hadn’t already, I reached my breaking point when Tidwell came by to inspect the work we were doing. We were told to stand on the line where the edge of the road’s concrete met the grass. Our toes were to be on the concrete. He didn’t even acknowledge my existence. Instead, he found another victim. Happy’s toes were on the grass.
“Toes on the line.”
Happy didn’t know what the fuck he was talkin’ about. How could he? That didn’t matter to Mr. Tidwell. No sir. Instead, Tidwell backhanded Happy so hard I thought the boy was gonna topple over. I seethed with rage. I was gonna kill this man. I knew it then. Hell, I wanted to kill this man. If there was anything that could bring a few minutes of joy back into my life, that’d be it. Happy looked at Tidwell as if he had been betrayed. He didn’t understand why he was hit.
“Toes on the line.”
“He doesn’t—” I started.
“Am I talkin’ to you boy?”
I shut up. Tidwell got in Happy’s face. Happy tried to turn away but Tidwell clamped down on his cheeks with his claws and violently kept Happy's chin steady. A tear trickled down from Happy's eye and his lips quivered. Tidwell raised his hand to strike again but stopped when I reached out and gently touched Happy’s arm. Happy looked at me with distrust and bewilderment.
“Like this,” I pointed to my eyes, then down to my feet. He didn’t get it. I repeated a couple more times until he looked down at his feet and his toes inched forward to the concrete. I nodded and a faint smile spread across his face. I sighed with relief. Happy remembered Tidwell and flinched his head, weary of being hit again. Poor bastard. I really felt for the guy. He ain’t never hurt no one. Tidwell’s glare coulda seared off my eyebrows. He grumbled something to himself, stumbled over to his car, and drove off. Good riddance sicko.
After I ate supper I walked back to the dorms alone. The sun had already set but its rays still reached up over the horizon like the fingers of god. Gold blended into a pale blue which darkened into a cool indigo. How could we fuck this up so bad? It was beautiful. How could we turn the world so ugly — such a pristine miracle into a nightmare? Yeah, we were special all right. I kicked a rock with anger, already feeling my stomach bubbling up from the beans and hotdogs. It skipped across the concrete and landed at the feet of the Kitchen Crew. I heard the general chatter of the Kitchen Crew hanging out by the stairs. I tried to sneak by them, minding my own business. I could tell that they were trying to jabber me but I wasn’t biting. I kept my head down.
That’s when two assholes turned the corner of a shed and cut me off. I walked into the chest of one of ‘em and looked up to a misshaped mustache with sprouts of a beard sticking out from his cheeks. The others joined behind me. Jesse and Jackson were amongst them. Great.
“Ooh Wally Wally,” one of the assholes smiled cheerfully, “Speak of the devil. Hey Jackson, ain’t this the grub that ratted you out?”
Jackson nodded, “Sho’ is.”
“I didn’t rat—” I started.
A hand clenched down on the back of my neck and an arm hooked around my throat and pulled up at the elbow, choking me out. I was overwhelmed by rough hands and dragged into the shed. I was surrounded. Karma had caught up. I was hit by a bunch of knuckles and dropped to the floor hard. I was out. They tore at my clothes, ripped my trousers off, and were working on my underwear before I came back to reality.
“I get to fuck him first,” one of the blurs said.
“Fuck you,” another said. “You got dibs last time. That means you get last this time.”
“The hell with that.”
“The hell with you.”
There was a brief skirmish amongst my attackers, which allowed me the chance to send a kick up into one of their balls. I spun to my feet. They grabbed at me so I swung wildly, connecting a couple of times but mainly hitting air. I don’t know who or what I hit. I didn’t care. I managed to push through their bodies and fell out into the remaining light of day. The breeze was cool on my sweaty neck. I scrambled to my feet and ran out into the road. They chased after me for a few yards before falling back.
“Get back here you faggot,” the big buffoon said.
“Don’t matter what you do or where you go — you’re done.”
I ain’t got much to thank god for — but one thing is I’m fast as fuck. Hell, you gotta be if you wanna be an effective thief. In an out. Quick and precise. So I booked it and was out of there. I don’t know how I escaped. I was almost too sore to move. That don’t matter when your ass is on the line. I found a hidey hole in the janitor closet of the dorms and cried until I couldn't cry no more.
That night, the nightmares returned with a vengeance. I didn't even know if it was a nightmare or not. I woke up and the beds around me were empty. I heard a whisper waft by, tickling my ear. A shadow dangled in the corner of the room, held up at the joints by invisible strings. It shifted, broken, malformed. At night, I've seen them. The shadow lurched forward, getting larger as the moon sculpted out the hook of Curly's nose and the fracture in his neck. His shattered vertebrae pierced through his skin. His mouth gaped open to scream but only a guttural wheezing escaped -- like air being squeezed out of a collapsed lung. At night, they come for me.
My bedsheet fastened around my midsection and my arms were locked at my side. Socks swung bar soap from all angles and their weight came crashing down on my body. My head thrashed back and forth as they hit like hail thrown by god himself. I was pummeled. Feet screeched on the tile -- bodies gathered around me in a fury to get their licks. Thump, thump, thump. Feet pattered, sheets rustled. The bed sheet slackened. I groaned in pain. The beds were filled again. The world returned. It couldn't get worse than this.
The next morning at breakfast I saw Happy was still troubled by the day before. I was still being haunted by the previous day as well. My midsection was raw with welts. It wasn't a dream after all. The Kitchen Crew watched me from their table, giggling and grinning. It didn't matter where you turned, threats were all around you. I desperately tried to come up with a solution. I pocketed my fork and kept it on me in case I needed it. Kitchen Crew. Tidwell. I had something for ‘em.
I confided in Happy and together we struck up a plan. Well, more I struck up a plan and he repeated key words and phrases. If we couldn’t escape, we’d disappear. We just had to find the right time. I was thinking once we got dismissed for dinner we could break off from the group and make for the woods. Father’d likely see us so that wasn’t the best plan. No, it’d be better to steal away in the middle of the night. Neither seemed ideal but one or the other was absolutely necessary. If we stayed there, we’d die. I felt bad for Happy and a little bit responsible for him. I couldn’t just leave him there, all defenseless. If I were to run off alone, who would look after him?
I didn’t have a chance to use my new weapon right away. A few days passed by uneventfully. It was like a fuckin’ miracle. All the while I was schemin' and plottin'. There wasn't really much to plot either. It just came down to doing it. A survivor acts and reacts. I had to work up the courage to actually pull it off.
After several days of brutal work, we got a break from the chain gang by way of school. I don’t know which is more tedious, digging holes all day or learning fractions. I hate both. School was letting out for the day when a baby blue Lincoln Continental pulled up to the administration building. The shiny blue paint caught all of our attention. A woman in her mid-thirties exited the car and stomped into the building. I made sure to get as close to the commotion as possible. Whoever she was, she meant business.
“I don’t care if you—” she was screaming from inside.
Outside, two police vehicles showed up at the gate. The guardian of the gate pointed the officers over to the administration building. They drove on ahead.
“Where is he?”
“Mrs. Bernstein,” Hatton led her outside and waved down the officers. “If you’d please just—”
Mrs. Bernstein was furious, “Where is my son? Tell me. Tell me where he is. Tell me what happened to him.”
“Mrs. Bernstein, please.”
“Something happened to him, didn’t it? What? What happened? Tell me. Please, just tell me.”
“Officers, officers over here.”
“Tell me! Why won’t you just tell me?” her worry turned to rage.
The two police cruisers pulled up along the curb. Four officers got out of the cars. A hell of a show of force for a little lady such as Mrs. Bernstein. They’d probably need every last one of ‘em. From the looks of it, she wasn’t gonna lie down easy. I liked her.
“What seems to be the problem here?” one of the officers asked.
“My son. He’s missing and they won’t tell me what happened to him. I haven’t heard from—”
“She’s hysterical.”
“Ma’am,” the officer said as he reached out and grabbed her wrist.
“Wha— Wait, why are you— Get your hands off me— I don’t think you— They have my son!”
“Ma’am,” the officer repeated calmly tightening his grip. “Please, let’s try and calm down.”
“What are you-- Ow. Stop. I want my baby!”
“Would you please do something with her?” Hatton said to the officer.
“Ma’am, we’re going to have to ask you to leave the property.”
“Not until I see my baby. Not until I know he’s okay.”
“She’s clearly having a mental episode,” Hatton reasoned with fake concern. “Perhaps she should be evaluated at the Florida State Hospital for the Insane.”
“No, I’m not— I’m not insane. I just want—”
“You’re not helping your case, ma’am,” the officer said as he pulled up on her arm.
She stepped back wearily, “I’m not— I want to see my son. That’s all.”
Without warning the officers descended on her and restrained her by cuffing her hands behind her back. Her legs went limp and the arresting officer caught her mid fall by the elbow. It took two of 'em to drag her over to the cruiser. She was shoved in the back seat and the door was slammed on her contorted, pleading face.
The car kicked up a cloud of dust as Mrs. Bernstein cried out, No, no, stop. This is— Stop it! Let me go! I caught a glimpse of her face before the sun flashed in the window and she was gone. Her eyes bulged and her mouth peeled back, widening as if she was in danger of eating her own face. Some years later I found out that this was Curly’s mom. It was some big Supreme Court ruling. Just like her son, she disappeared. Her family and friends didn't see her for decades. Little would they know that she spent those years of her life locked up in the Florida State Hospital for the Insane. That’s what really ended up driving her crazy. Her defiance in declaring her innocence is what kept her locked up. Some people ain’t got no luck.
As the moon reached further up in the sky, I bided my time. I avoided the showers again because I didn't want to run into the Kitchen Crew. Sleep would have to wait for tomorrow but it was like the weeks had caught up to me. I could’ve passed out I was so tired, but I knew I couldn’t. If I slept, I might as well lie down in my coffin and wait for death to finally take me. Instead, I waited until everyone fell asleep before I slipped on my socks and slid over to Happy. I woke him up with a shake and a startle. At first he was confused, but once he recognized my face I saw a hint of that happiness. It wasn’t completely gone. He still had a chance.
“Shh,” I warned. “We have to go.”
“I dunno,” Happy said a little too loud. “I dunno, I dunno, I dunno.”
His voice rose with each repetition. I clapped a palm over his mouth and put an index finger over my lips. I heard bodies shift and sleepy groans but the cot springs settled and silence returned. The night slept on.
“We have to go — now.”
submitted by ghost_wrider to libraryofshadows [link] [comments]

Aug-Sep 2019: Trip Report

Howdy! My wife and I just got back from a week in PR. This sub was a huge help so I wanted to give back and write a trip report. We flew down on 8/28 (day Dorian swung by) and came back 9/4.
8/28 When we boarded in Chicago, the weather channel was squawking about the storm on-stop. It was worrying but at that point we were committed and felt comfortable it would pass by. We landed at SJU and there were brief showers. It was easy to catch a taxi from the airport but know that you have to use one of the approved taxis. No ubers or anything like that. Rates were set. To go from SJU to our Air B&B in San Juan was $21. I think if you're going to Old San Juan or Condado it was approx $25. I had plenty of cash. No idea if they take care but it would be foolish not to carry cash. We checked into our Air B&B. Bc of the storm, almost everything was closed and there were no alcohol sales bc if the state of emergency. We are at Bebos which was thankfully open. The weather was perfect, no wind no rain, so we walked to the beach. The sunset was unbelievable pbly because of the storm (western part got some rain but San Juan was perfect weather). There's still lots of Maria PTSD and this was the first storm since then. They were overly cautious but it's better to err on the side of caution. We ate snacks back in our room, wished we could've had a beer to unwind, and went to bed early.
8/29 We took an Uber from San Juan to Old San Juan. Super easy and only like $8. The Uber wait times were super short. We visited El Morro and Cristobal Forts (tickets are $7 per adult and if you keep the stub you can get into both forts so keep your ticket), got a pina colada at a small bar in OSJ, and wandered the streets. It was a nice day trip but we felt we did it fully in one day. Def not worth more than that in my view.
8/30 We rented a car from Enterprise in Condado and drove to Fajardo. It was approx $75. Driving was super easy. I swear the drivers are better than in most places in the States. Side roads can be rough with potholes but the main highways were great. We drove to El Yunque only to find out it was closed for the day to clean up after the storm. It seemed a bit overly cautious but no worries. The website said they were open that day even though they weren't so just be flexible, relaxed, and go with the flow. We drove to our Air B&B in Fajardo, walked around, sat on the B&Bs porch drinking Medella, and had the best fish dinner I've ever had at El Boho. Seriously check it out. The locals recommended it bc the owners family are all fisherman. An absolutely incredible meal.
8/31 I returned the car and bc I called ahead, they drove us to Ceiba to catch the ferry free of charge. I'd purchased ferry tickets online (before they stopped doing that) but hadn't been able to purchase any for our return trip. I was told at the window no advanced ticket sales were to be sold, only day of. The ferry was fine. It's cheap but sweet goodness is it poorly run. No communication whatsoever. Check out the Facebook page they have. There's drama every single day. I was pretty stressed but we got there with plenty of time and had no problem getting to Vieques. When we arrived in Vieques, there were boys riding horses up and down the street and chickens wandering around. It's like the Wild West and a glimpse at what the Caribbean used to be like. I would strongly recommend not doing Vieques as a day trip. Too much rushing and too many logistics. Also, call ahead a rent a vehicle/scootegolf cart. They were sold out our first day so I reserved a golf cart for the next two. It was $80 for 24 hours. Fairly expensive but absolutely necessary. You could taxi around but half the fun is discovering stuff on your own and this island is not walkable at all. After we got settled we went to Sea Glass Beach in town. It was a fine beach, not perfect, but very accessible although we struggled to find the entrance for a while. This afternoon/evening was the low point of the trip. We exhausted, had no transportation, and were a bit overwhelmed. We had pizza at Mama Mia in Isabelle (comfort food), walked to the Arepas festival, and went to bed early. We were staying in Isabella so everything in town was an easy walk but all the good beaches were a ways away.
9/1 Incredible day. We picked up the golf cart and drove to Blue Beach (called something else in Spanish). We got there early but even being Sunday of Labor Day weekend, it never got overly full. Lots of people rented Jeeps but a golf cart was perfect for us. Just let faster cars go by and enjoy the experience of putting down the road. We explored red beach and one or two in the area. Really wonderful day. We ate at Biekas Bistro for dinner and then went to the second night of the festival. Lots of people, great music, fried foods for sale, and a ton of the community turned out. It was a really nice night and only my favorite day of the trip.
9/2 Same as the day before. We picked up Subway so we could spend the whole day at the beach and drove fairly early to Black Sand Beach. It's a really cool hike to the beach. It's not a great swimming beach but the views are beautiful and it's worth checking out. We then went to Sun Bay to spend the day. It's $4/vehicle to get in but totally worth it. We put our chairs under the shade of a palm tree and had the nicest day drinking Medallas, snorkeling (not great but still enjoyable), and loving life. We then drove to Esperanza. Right across from a hotel or something, there is a peninsula that sticks out into the bay. Walk out there (past all the tents) and bear to the left. Eventually you'll find a semi-overgrown path that takes you to the top of the cliff. It gives a stunning view of Sun Bay Beach. A local told us about it. It's probably pretty well known but I hadn't heard about it anywhere on Reddit or online. It was the cherry on top of the trip. We sadly returned the golf cart, ate dinner from a food truck park just outside of Isabella, and did the 7pm Bio-Bay Tour thrive Wie-Vie(?). We booked online. They picked us up in front of the air b&b in a van. The other people on the tour were harder to find. Some were still eating or running behind so we drove around getting them. Eventually we got them and got to the bay. The tour was super safe and well led. Lane our guide was the definition of a cool dude originally from the States. The new moon had been 5 or 6 days before. It wasn't totally dark but dark enough to see the stars. The luminescent wasn't peak bc the storms had messed with the bay but we still say some light up. I think a few people were slightly disappointed but anyone that actually does shit outside knows conditions are not always perfect. It's not a damn Disney ride. We loved it. The stars were incredible, the water was warm, the bay was cool, and the info was interesting. We then went to this really incredible little bar in Isabelle. Something like the old hat. It was run by some folks form the States that now lived there. They were having trivia night and was packed with locals that had moved from the States years ago. We had he nicest time. Robert the owner was a true gentleman. He did we'd be back because everyone who falls under the spell of Vieques must return. He's right. The place has a quality to it which is hard to describe. We'll be back.
9/3 I was still pretty stressed about the ferry so I bought tickets for the 9:44 around 8am. Supposedly they only start selling them an hour or two before but who knows. The ticket window was open, I got our two for super cheap, and life was good. We got there by 8:45 because I was still concerned. Turns out nothing bad happened, we got back fine, and enterprise picked us up in Ceiba. We took the car to El Yunque and did the Britton Tower (really really incredible and the something Juan waterfall. The rainforest was cool. It was busy and I'm glad there was no change to get in but it was still interesting. We then drove to Condado, ate some great tacos, enjoyed being back in civilization, wasted $4 at the casino (why do boomers love casinos so much?? They are so boring) and got some beers and sat on the beach taking it all in. The only hiccup was the alike conditioning at the air b&b broke. We are pretty hardy folks but it was 89 in the apartment. The host was super apologetic. By 9pm it was apparent the repair man wasn't coming so we got a refund and found a cheap hire across the street. Lagoon something next to the Comfort Inn. It was no big deal, totally in the spirit of the adventure, and just one of those things that happen. We flew out the next day.
It wasn't a classic relaxing trip but we wanted an adventure and certainly got one. Just be patient, laid back, not an asshole, and relish the adventure of it all. Bring cash and give yourself plenty of time to get anywhere. It'll all work out.
submitted by BowtieFarmer to PuertoRicoTravel [link] [comments]

How to draw a scenery of sea beach Step by step (easy draw) Limo Service In West Palm Beach Florida  Limosofpalmbeach 561-459-7128 Rain Man - Casino Scene - YouTube Take Boat from West Palm Beach, Florida to West End ... How to draw a Beach  Beach Easy Draw Tutorial - YouTube SKY RIDER SLOT MACHINE in Aruba Big changes to Lake Worth beach? BIG HIT ON CASH MACHINE! LIVE PLAY @ 🌴 Palm Springs CASINO ... Big Daddy Casino Goa. Asia's Biggest Casino - YouTube STEP by STEP Sunset Beach Landscape Painting for Beginners ...

The Big Easy Casino Weekly Simulcast Calendar 12/13/2020 - 12/19/2020 Sunday Monday Tuesday Wednesday Thursday Friday Saturday 13 14 15 16 17 18 Hotels in der Nähe von (PBI) Intl. Flughafen West Palm Beach; Alle Aktivitäten in Hallandale Beach; Aktivitäten in der Nähe von Big Easy Casino. Flippo's Hallandale; Oceans 11 Lounge; B. F. James Park & Pool; Boxroom Escape Games; Hallandale Beach; No Vacansea Private Fishing Charters; Croisiere Privee Miami; Gulfstream Park; The Village at ... Big Easy Casino Palm Beach Florida, slot lounge aol games, fulbari casino pokhara, what are poker hands order. Read our full review € Free Spins. 18+, T&C Apply,, New Customers Only. Country Restrictions. January 7, 2018. Deuces Wild Poker. 1. 50x. 10 Get your 100% up to £50 Bonus + 100 Spins at Karamba . Sign up for an account with Karamba Casino and you'll have your first deposit matched ... By submitting this form, you are consenting to receive marketing emails from: The Big Easy Casino, 831 N Federal Hwy, Hallandale Beach, FL, 33009. You can revoke your consent to receive emails at any time by using the SafeUnsubscribe® link, found at the bottom of every email. Emails are serviced by Constant Contact What Casino Games Can I Play at Mega Slot Casino? Although the name implies that Big Easy Casino West Palm Beach Fl this is a slots casino, MegaSlot offers a wider variety of online Big Easy Casino West Palm Beach Fl casino games. We will cover the game Big Easy Casino West Palm Beach Fl variety of the website in this Mega Slot casino overview. The biggest gambling Big Easy Casino West Palm ... Hotels near (PBI) West Palm Beach Intl Airport; All things to do in Hallandale Beach; Things to do near Big Easy Casino. Flippo's Hallandale; Oceans 11 Lounge; B. F. James Park & Pool; Boxroom Escape Games; Hallandale Beach; No Vacansea Private Fishing Charters; Croisiere Privee Miami; Gulfstream Park; JP Outfitters Inc. The Village at ... Presentation of the Hallandale Beach The Big Easy Casino . The gaming space of the Mardi Gras Casino is divided into two areas. The first is a section of 90,000 square feet dedicated with other 900 slot machines. The second is reserved for the electronic gaming tables of Blackjack and Roulette. The Big Easy Poker Room suggests Texas Hold’em Limit and No Limit, Pot Limit Omaha, Omaha High/Low ... Overview. Big Easy Casino is a river boat casino located in Palm Beach, Florida United States. The 30000 Square Feet Casino has 23 tables. The United States Big Easy Casino Palm Beach Fl has been the most volatile of Big Easy Casino Palm Beach Fl all the countries in Big Easy Casino Palm Beach Fl the world when it comes to real money online gambling Big Easy Casino Palm Beach Fl regulations. In the early days of the industry, you could find online sportsbooks bringing buses outfitted with laptops right up to sporting events to ... First acquired in 2004 by the now-defunct Palm Beach Casino Line, the “Big Easy” was sent to Jacksonville for a $12 million facelift. The 238-foot New Orleans-themed ship was painted with hues of purple and green and featured a 30,000 square-foot casino with 23 gaming tables. Not long after leaving dry-dock in April 2005, it was delayed for months, waiting for the Coast Guard to approve ...

[index] [2184] [1293] [30459] [9840] [18634] [12610] [33226] [6207] [4326] [16266]

How to draw a scenery of sea beach Step by step (easy draw)

Rain Man 16 December 1988Director: Barry LevinsonCast: Dustin HoffmanTom CruiseValeria GolinoMusic: Hans Zimmer - Vegas/End Credits How to draw a Beach for Kids easy and step by step. Draw this cute Beach by following this drawing lesson. Beach drawing tutorial. Get The Markers HERE = htt... Big changes to Lake Worth beach? ... with developers to discuss potential ideas to revitalize the Lake Worth Casino and swimming pool on Lake Worth Beach. WPTV NewsChannel 5, Local News Coverage ... Sometimes all you need is one good hit to turn things around, and boy did I need this hit! I've got your next installment of 20 minutes with Neil! Let's see ... Very easy drawing step by step.It is a clear-cut,easily understood detailed method to help you. Hey ️ 💓My online Art Classes : Be my Patreon to join my Detailed online Art classes with other exclusive content like Traceables for my paintings ,free roya... Published: 12/24/2017 THE REAL DEAL SLOT REELS IN ARUBA SKY RIDER SLOT MACHINE WITH SOME NICE HITS Made it to Aruba and every resort on Palm Beach Resort area had a casino, got permission to ... First Time Crossing the Gulf Stream and taking my Monterey 340SY Boat Across from West Palm Beach over the West End Bahamas. This would be the first time I h... Whether you are a small or large group looking for a great night out at the casino, limos of Palm beach is here to drive you in style. With us, you can take a luxurious vacation to Las Vegas ... Follow me on insta https://www.instagram.com/Inderpreet_singh2018/ channel name- Simply Inder former name - Inspirational_travellers Best casino of India. Ge...

#